A Quote by Celia Imrie
I love not knowing what's going to happen next. With work, you never know. You rehearse and strive and get it right sometimes, and still you never know. Some people are like that with their marriages. They work and strive and labour and toil at them. God, what a bore! What an unromantic bore!
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You see, Suzanne, history lectures bore me, art films bore me, your friends bore me, and, if you want to know the truth, I guess you bore me too.
In theater, you get to rehearse several weeks, you memorize everything, and by the time you open, you know what the play is. In film, it's almost the opposite. You do your work on your own and maybe have a couple of minutes to rehearse. When the camera rolls, you generally don't know what's going to happen.
Sorry' he said. 'No, I'm sorry.' 'What are you sorry for?' 'Rattling on like a mad old cow. I'm sorry, I'm tired, bad day, and I'm sorry for being so...boring.' 'You're not that boring.' 'I am, Dex. God, I swear I bore myself.' 'Well, you don't bore me.' He took her hand in his. 'You could never bore me. You're one in a million, Em.
In my next life, I plan to be a more respectable creature. For now, this is what is given to us. So I don't know - I think we're all freaks at heart. I think some people strive desperately to be normal, and I think other people strive to be abnormal.
People are paralyzed on a football field. People die. You just never know when it's going to be your last moment. I was the kind of guy who would never talk to my wife on game day. Now I'm the guy who's like, 'I love you.' I want my children to know I love them because I don't know what's going to happen out there.
I still enjoy my life, and I feel like I've achieved enough things that if I never did anything again, I'd feel confident that I'd still have made my mark in some way. But maybe the self-loathing bit is the element that makes you strive for more. Makes you strive to be better.
For most actors, it's such a struggle to get work. Once they have it, they feel that there's an enormous amount of pressure on them to make it work, and have everyone love them. In my case, it was never like that. It was just about working with the people that I want to work with, and telling the stories that I want to tell, you know?
travel never made a bore interesting; it only makes for a well-traveled bore, in the same way coffee makes for a wide-awake drunk. In fact, the more a bore travels, the worse he gets. The only advantage in it for his friends and family is that he isn't home as much.
Interest is never enough. If it doesn't haunt you, you'll never write it well. What haunts and obsesses you may, with luck and labour, interest your readers. What merely interests you is sure to bore them.
For any model in this industry, you never know if you're going to get work. You never know if people are going to relate to you, and embrace you. And then being trans is kind of like - I hate to say it - but it's kind of like a setback.
If you think that people today, like Hollywood, are ever gonna sing [Donald] Trump's praises, it's never gonna happen. It's only going to get worse. And they know it at the White House. They're not expecting these people to be won over. That's not why Trump's doing anything he's doing. They don't expect the establishment types to one day say, "You know what? You're right, Mr. Trump, this is great. We like what you're doing." It's never gonna happen. They don't expect that to happen.
If you knew what was going to happen, if you knew everything that was going to happen next—if you knew in advance the consequences of your own actions—you'd be doomed. You'd be ruined as God. You'd be a stone. You'd never eat or drink or laugh or get out of bed in the morning. You'd never love anyone, ever again. You'd never dare to.
A lot of the things that bore adults don't bore children, and people forget that. In some ways, boredom is a projection of adults because we can't remember what childhood was like.
I've written with people who aren't like me, then I've written with people who totally get it. It's like a blind date, and you never know what's going to happen. But it's really cool because they learn from you, and you learn a little bit from them. And sometimes it works out, and sometimes it doesn't.
I choose my actors well and get to know the quirks of their personalities - and, most of all, I share humor with them. Then I keep my eyes open when they rehearse and perform, because you never know where the next stimulation comes from.
I never plan. I never know what the next page is going to be..... But that's the fun of writing a novel or a story, because I don't know what's going to happen next.
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