A Quote by Chad Michael Murray

When I was young, I was working with people my own age, so it was kind of a lot of goofing around. — © Chad Michael Murray
When I was young, I was working with people my own age, so it was kind of a lot of goofing around.
I'm 24, and a lot of people my age grew up listening to bands that were big and making it from around here. I was going to Flaming Lips and Chainsaw Kittens concerts when I was 12, and getting my mind blown at a young age... and maybe for people in bands, there's irreparable damage from those kind of things, and it turns out weirder bands.
I tell people a lot of times, if you want to be a part of something, you never know, you kind of just have to be around. A lot of people don't really have the patience for it, and they don't stick around. Dre and I are still working together, and we have plenty of music for the future.
I'm working with a lot of legends who are brilliant who are people I've looked up to from a very young age.
I think that there's room to grow, as far as being a person of color in film. I went to the theater the other day, and there's a whole bunch of Valentine's Day movies coming out. And the only ones that you see a lot of us in are us goofing off and clowning around; it's this kind of pseudo-romantic comedy kind of thing.
The idea of being a 'child star' always sounded awful to people my age, and so I was just very aware that these things are kind of fleeting and that a lot of it didn't have to do with me: it had to do with my age; it had to do with whatever came to mind when people thought of a young internet sensation.
I think when you're looking for scripts or for characters around your own age, a lot of the times they don't have the kind of responsibility that is usually seen in parts that are older for you.
I get a lot from all young people. I make movies for young people. If I made pictures for people my age, no one would see them. I hang with young people all the time.
When I was young I was working with a lot of people being out in the south. My uncle wrote for Al Green and I was around Al a lot.
It seems that, culturally, young people function more in groups. They know each other through digital media. All the young comedy people who work in TV are really used to working at the table with lots of writers around. They're comfortable in the group; they don't assert their own egos over everyone else.
I figured it out at a young age: I could meet as many young people online and try to form my own family or my own record label group.
When I first started acting, I was actually working with the National Youth Theatre in London doing anti-knife crime workshops, so I was listening to a lot of music that was around us all the time, around the guys I was working with, and the kids - lots of young grime artists from London.
There was a big age difference between me and my brothers - about 10 years - so I was an only child for a long time. I used to hang out a lot on my own. I played a lot of weird games with a lot of imaginary people. I guess it's kind of roleplaying.
When I was a kid, a lot of my parents' friends were in the music business. In the late '60s and early '70s - all the way through the '70s, actually - a lot of the bands that were around had kids at a very young age. So they were all working on that concept way early on. And I figured if they can do it, I could do it, too.
I got to do a lot of good things at a young age. I really kind of knocked out my bucket list when I was really young.
I sacrificed a lot, in terms of friendship and family, from working so much at such a young age, but I wouldn't be where I am if I hadn't.
My poor mum had a lot of problems with me around that time. I was young but I'd been working for years, so if she asked me to clean my room I'd say, 'You can't tell me what to do after I've worked a 12-hour day.' It gave me a power that no one that age should have.
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