A Quote by Charles de Gaulle

I always thought I was Jeanne d'Arc and Bonaparte. How little one knows oneself. — © Charles de Gaulle
I always thought I was Jeanne d'Arc and Bonaparte. How little one knows oneself.
Jeanne d'Arc was frowned upon for her masculine attire.
Adolf Hitler was a Jeanne d'Arc, a saint. He was a martyr. Like many martyrs, he held extreme views.
as one grows older, one realizes how little one knows about any relationship, or even about oneself.
It is not only useless, it is harmful, to believe in oneself until one truly knows oneself. And to know oneself means to accept our moments of insanity, of eccentricity, of childishness and blindness.
I've always liked wrinkles. When I was a young girl, I used to make lines on my face with my nails because I loved Jeanne Moreau. I always wanted to be older; I always added years to my life. For the longest time, if people thought I was older I would take it as a compliment.
I've always liked wrinkles. When I was a young girl, I used to make lines on my face with my nails because I loved Jeanne Moreau. I always wanted to be older; I always added years to my life. For the longest time, if people thought I was older, I would take it as a compliment.
one never knows really how things are with other people, they just do always seem more spirited than oneself somehow.
What's great in theater is that you can sustain the arc of a character for a full three hours, whereas in film or TV, you have to create that arc in little pieces, and usually out of sequence.
I`ve always thought of him [Barack Obama] and from conversations know him to be a guy who takes the long view, who doesn`t get too high, doesn`t get too low and seizes the opportunities when they`re there and knows how to ride the wave. I ascribe that to Hawaii. He`s a body surfer, so he knows how to get on the wave. He knows just the right time.
Consciousness is a state in which a man knows all at once everything that he in general knows and in which he can see how little he does know and how many contradictions there are in what he knows.
As a writer, you know what the purpose of the scene is. It really has nothing to do with the actor so you have to really get out of that space because for actors it's a micro-focus and then you figure out your arc through what the writers have given you to say. But that arc is just one little piece of the huge arc of the whole film. It took a while to get out of that.
My little brother is four years old and he listens to all my music. I don't know how he finds it, but he knows how to use an iPad and he's always online. So one day my mum said: 'You know what, you have to make something for your little brother,' and that's how I made 'Lean & Bop.'
The wise know too well their weakness to assume infallibility; and he who knows most knows best how little he knows.
Plotting is difficult for me, and always has been. I do that before I actually start writing, but I always do characters, and the arc of the story, first... You can't do anything without a story arc. Where is it going to begin, where will it end.
A man who knows how little he knows is well, a man who knows how much he knows is sick.
I spent the last week of Ryan's life in Indiana, Indianapolis, with Jeanne and Andrea, Jeanne, his mother, Andrea, his sister, and some other beautiful people who came. And it taught me a lesson.
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