A Quote by Charles de Lint

The best artists know what to leave out. They know how much of the support should show through as the pigment is applied, what details aren't necessary. — © Charles de Lint
The best artists know what to leave out. They know how much of the support should show through as the pigment is applied, what details aren't necessary.
The best artists know what to leave out.
Education would be much more effective if its purpose was to ensure that by the time they leave school every boy and girl should know how much they do not know and be imbued with a lifelong desire to know it.
Every job in Hollywood is a risk. You don't know, when you sign a contract, if something is going to pop, you don't know whether this or that network is going to support your show. You just show up and do the best work you can do, gravitate towards the best material, you know, and try to make the right choices. And the rest of it is a roll of the dice.
Writing a book about [Buckminster Fuller] in the sense of deciding how much to - how much biographically to gloss over and how much I can leave out is relatively easy as it is because the true believers already know everything. They know a lot of things that are not true and they know a lot of things that I thought were (and seems there's very good evidence not to believe) and therefore, my starting point was I think to tell his myth because that's what grabbed me.
You don't know how much artists go through to make it look so easy. It's all in the practice.
I'm drawn to talented, creative people who often just don't know how to support themselves - they're more focused on their work than trying to figure that out. So I commission a lot of works with artists who I like personally or professionally, and through that process, I wound up collecting a lot of art.
I learned all I have to do is sing the best music I know how and put on the best show I know how and just relax with it and people enjoy it.
I trained as a dancer when I was much younger, for a large amount of time, like 6 or 7 years. Not to be a ballet dancer, actually, but I thought it was a complement for an actor. I thought that actors should know how to move, should know how to juggle, should know how to do acrobatics.
You know, if you are kind of rich, the best thing is that you don't have to think about money. The best thing you can buy with money is freedom, time. I don't know how much I earn a year. I have no idea. I don't know how much I pay in taxes.
I spend a lot of time wondering how to best support the people that I love, because I think sometimes that means getting out of the way. When should I leave them alone to have their own life?
There is something wrong with our system when I can leave here and make billions of dollars in 10 years while millions of students can't even afford to pay off their loans, let alone start a business. We all know you don't get successful just by having a good idea or working hard. You get successful by being lucky too. If I had to support my family growing up, instead of having the time to learn how to code. If I didn't know that I was gonna be fine if Facebook didn't work out, then I wouldn't be standing up here today. And if we're honest, we all know how much luck we've had.
How can you get very far, If you don't know who you are? How can you do what you ought, If you don't know what you've got? And if you don't know which to do Of all the things in front of you, Then what you'll have when you are through Is just a mess without a clue Of all the best that can come true If you know What and Which and Who.
Rhythm is as necessary in a picture as pigment; it is as much a part of painting as of music.
There's a lot of single black women who did the best that they could and that's a beautiful thing, but they don't know how necessary a father is in a kid's life and how much guys miss that deep down inside.
You can't show up on set and expect it all to come together. You have to have a plan, much like how the director can't just show up and go, well, where should I put the camera? That is gonna determine how it is lit, you should have already been in the room looking at it earlier, pre-lit the room, you know there is a lot of prep that goes into it, so it is the same thing with acting. You can't just show up.
Well, I don't ever leave out details, in that I don't come up with information or description which I don't then use. I only ever come up with what seems to me absolutely essential to make the story work. I'm not usually an overwriter. As I revise, it's usually a matter of adding in as much vivid details as seem necessary to make the story come clear without slowing down the momentum of the story.
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