A Quote by Charles J. Shields

My theory is that Kurt had a lot of residual pain from his childhood. And when you pile that on top of his experience in World War II - he was in Dresden when it was bombed and saw a city annihilated. When you combine those two things, my impression of Kurt Vonnegut at 84 was that he was a very pained and haunted man.
Kurt Cobain, when he did his videos, you look into his eyes and he couldn't even face the camera; he was in pain and I'm angry about Kurt. This guy didn't have to die.
I've read some of Kurt Vonnegut letters from when he was young. He was a prisoner of war, and even when he was in his early twenties, there were things mentioned that showed up in his novels. One of the sweetest things in those letters was him wanting to be a writer but doubting himself, not having confidence in himself.
Any writer my age almost can't get away from being influenced by Kurt Vonnegut, partially because of his simple, clear way of stating things. To read Vonnegut is to learn how to use economy words.
I think that his [Kurt Vonnegut's] appeal, though, will always be chiefly to adolescents. His sense of the world matches that of young people, who feel deeply life's absurdity.
I think Kurt Sutter's different as a creator for different people. My experience of Kurt Sutter has always been a really professional, lovely one. I like Kurt Sutter very much.
For us the Dresden Dolls were porcelain dolls that were made in that city at the time, that is what they were to us, and also a reference in Slaughterhouse 5 by Kurt Vonnegut, and in a song by The Fall.
I was in Ann Arbor, and I was told that this singer-songwriter guy wanted to meet me. It was Kurt Cobain. Nirvana had just made 'Bleach.' Kurt interviewed me on a college radio station. It was very strange. He was a fan of mine, and he gave me his album.
To have a record crowd for What Culture, to be in there with Kurt Angle and not to be just, like, Kurt Angle plus garnish, for it instead to be Kurt Angle v. Cody Rhodes, our second match, actually - it was very vindicating. It's also nice, you know: the greatest revenge in all the world is success, so it's nice to be vindicated.
I think the essence of [Kurt] Vonnegut's humanism lay in his emphasis on human kindness as, so to speak, our saving grace.
The Islamic method of waging war is not to kill innocent civilians, but it was Christians in World War II who bombed civilians in Dresden and Hiroshima, neither of which were military targets.
I don't think of Kurt as 'Kurt Cobain from Nirvana'. I think of him as 'Kurt'. It's something that comes back all the time. Almost every day.
I knew [Kurt Cobain] and his daughter. And Courtney [Love] came and stayed at my house. R.E.M. worked on two records in Seattle and Peter Buck lived next door to Kurt and Courtney. So we all knew each other. I reached out to him with that project as an attempt to prevent what was going to happen.
I read a lot of short fiction, like Kurt Vonnegut and Raymond Carver and Wells Tower.
Everybody should read 'Slaughterhouse-Five' by Kurt Vonnegut. This book is about the hypocrisy of war, told in satire, and is hard-hitting and truthful.
The Islamic method of waging war is not to kill innocent civilians, but it was Christians in World War II who bombed innocent civilians in Dresden and dropped the nuclear bomb on Hiroshima, neither of which were military targets.
I played in bombed-out houses and grew up with the ever-present consequences of a lost war and the awareness that my own country had inflicted terrible pain on many nations during the horrific World War II.
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