A Quote by Charles Simic
For Emily Dickinson every philosophical idea was a potential lover. Metaphysics is the realm of eternal seduction of the spirit by ideas.
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Some readers may be disturbed that I wrote 'The Secret Life of Emily Dickinson' in Emily's own voice. I wasn't trying to steal her thunder or her music. I simply wanted to imagine my way into the head and heart of Emily Dickinson.
I was not really aware of the dystopian genre before I read 'The Handmaid's Tale.' Many poets as well, like John Donne and Emily Dickinson, would be the influences; I specialized in Emily Dickinson at university. Both of those poets have really interesting ways of looking at life and death.
I have been in love with Emily Dickinson's poetry since I was 13, and, like an anonymous post on findagrave.com says, 'Dear Emily - I hope I have understood.' Emily's poems are sometimes difficult, often abstract, on occasion flippant, but her mind is inside them.
Even the best critical writing on Emily Dickinson underestimates her. She is frightening. To come to her directly from Dante, Spenser, Blake, and Baudelaire is to find her sadomasochism obvious and flagrant. Birds, bees, and amputated hands are the dizzy stuff of this poetry. Dickinson is like the homosexual cultist draping himself in black leather and chains to bring the idea of masculinity into aggressive visibility.
None but God is loved in the exist- ent things. It is He who is manifest within every beloved to the eye of every lover – and there is nothing in the existent realm that is not a lover
When Reason Breaks is infused with a rare blend of suspense and sensitivity, despair and hope. The poetic spirit of Emily Dickinson shines through the gloom of daily struggles faced by modern teens, as they discover the possibilities where they dwell.
I love the idea of the 'vignette,' which is associated with the decorative, illustrative, small, and thus with the feminine, and thus easily maligned. I mean, Emily Dickinson wrote vignettes, right?
I love the idea of the vignette, which is associated with the decorative, illustrative, small, and thus with the feminine, and thus easily maligned. I mean, Emily Dickinson wrote vignettes, right?
I'm the Emily Dickinson of screenplays.
I have a little tiny Emily Dickinson so big that I carry in my pocket everywhere. And you just read three poems of Emily. She is so brave. She is so strong. She is such a sexy, passionate, little woman. I feel better.
No, I don't know any Emily Dickinson poems!
Emily Dickinson has great sound and sense.
[Emily] Dickinson, our supreme poet of inwardness.
Sappho and Emily Dickinson are the only woman geniuses in poetic history.
Every living thing, animal or human, or tree experiences that which is called death, with no exception. You've all accepted that one a long time ago. Spirit, which is who we really are, or Source, is eternal. So what death must be is a changing of the perspective of that Eternal Spirit. If I am standing in my physical body and am consciously connected to that Eternal Spirit, then I'm Eternal in nature and I need not ever again fear any endedness, because, from that perspective I understand that there is not any of that.
I feel able to steal from Emily Dickinson because she's both wonderful and dead.
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