A Quote by Charlie Hunnam
You go through this business and you meet people that you bond with, and you get to go make movies with them. It's wonderful. What I've always dreamt of, in my career, is to have a brotherhood of collaborators, and go in and out of working with them. I'm just starting to get that, and it's really lovely.
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Being in front of the audience, letting my audience see me in person - it is real intimate, you get to make them laugh and cry, they get to feel you. And then afterward, we go out and do a meet-and-greet session with the fans. It was just a wonderful experience. I really, really enjoyed it.
Sure, some employers are are afraid of letting older workers go because they think they're going to get sued. And they probably will get sued. But the reality is, you could get sued at any time by any kind of worker. I think its incumbent on an employer, if they want to be smart, to figure out what is the benefit of keeping this employee or letting them go. Do the calculation and just go ahead and either keep them or let them go based on what's good for the business.
It gets super dark. I did a bunch of intense indie movies when I was starting out in my career and I was always in a bad mood because, when you're dealing with the subject matter of losing your baby, getting raped and all that stuff, it's not fun to go through. You really have to go there.
You go through your career and you find people and cast who you love and you go through and keep them and you never want to let them go because you have a great repertory with them.
It's always really cool when you get to play with someone who you like and they go out of their way to be nice to you; it's not just a 'oh I played with them but I didn't meet them' sort of situation, so shout out to those guys for being awesome.
I get through difficult situations by looking at how other people have gone through them. I say to myself, 'If they can go through it, then I can.' Or, If they can go through worse, I can go through whatever I'm going through.
On the third Friday of each month, I go to the Andy Griffith Museum. I get to meet hundreds of fans who stand in long lines for hours to meet me. Some months I don't feel too good and I think maybe I won't go, but then when I go and get to be there with so many wonderful people it always lifts my spirits and makes me feel better. I wouldn't stand in line for hours to meet me, but I'm so glad my fans do.
I'm always happy when I get a chance to go over to Japan just because I feel like, if I can have good matches with the Japanese and show them that at this point in my career I'm still willing to go out there and put it on the line, I feel like it's a positive step in my career.
I live in Leeds, which is about 200 miles north of London, and I get to go and do all the 'Harry Potter' stuff and make great films and be part of this wonderful thing all around the world, and then I get to go home and chill out with my friends in Leeds and go watch the football and go to the pub.
Cinema and theater - it's apples and oranges. You can't really beat movies. Yeah, when you're on an Oliver Stone set everybody brings their A game. Everybody brings their A game, from the top to the bottom and in between. In terms of theater you know there is no way to really duplicate that rush you get when you take an audience that is live and right there in front of you through the journey of a great play and you go through these emotions so that they can experience them without having to go through them themselves.
I go to a lot of independents and foreign films. I really try to keep up and see what there is to see. If you really love movies, it's the act of watching them that you really love. You can sit and watch a B-Western and have just as much fun watching that as you can a classic. That minute when the lights go down is the part where the magic happens, because you know this could be great. You're always kind of excited, like, "Here I am again in the church of movies, and Mass is starting.".
For West is where we all plan to go some day. It is where you go when the land gives out and the old-field pines encroach. It is where you go when you get the letter saying: Flee, all is discovered. It is where you go when you look down at the blade in your hand and the blood on it. It is where you go when you are told that you are a bubble on the tide of empire. It is where you go when you hear that thar's gold in them-thar hills. It is where you go to grow up with the country. It is where you go to spend your old age. Or it is just where you go.
It is brilliant to be able to say 'you have never had a holiday with your wife and your kids, here you go.' It is really lovely and heartwarming and we get to do it. It is lovely to get that opportunity. We remember them all.
It's a career that's enticing because you go on stage, for example, and people clap. You get that affirmation, but you can't go into acting for that because it's really your own self-belief that's going to get you through.
I've done a lot of fight scenes, and I always find that it's better that they be meticulously choreographed. You want them to look as real as possible, but you don't want anyone to get hurt. So I believe in really working it out in rehearsal, and when you get to the set, just go for it 100 percent.
My real life was when I was just a working guy. You know, it's OK to head out for Wonderful. But on your way to Wonderful, you're gonna have to pass through All Right. And when you get to All Right, take a good look around, and get used to it, because that may be as far as you're gonna go.
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