A Quote by Charlie Jane Anders
Storytelling is more like a skin. You start with the outermost layer, what it's going to look like, then you kind of get deeper into it. What's actually going on beneath the surface is not really dictated by or related to the surface genre. It's more about what's going to happen between the characters and what's taking place in the story.
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Now imagine that you are going beneath the surface of the ocean. Below the surface all is calm, silent, and serene. As you visualize yourself going deeper and deeper into the depths of the ocean, feel that a profound peace is entering you.
I prefer to focus on who I am as a person and what I stand for. We all want to look good, but I find it more rewarding to work on feeling good and going a bit deeper beneath the surface.
There are people that are always going to dive in and look deeper. Then there are going to be people that don't want to give you the credit or say you don't have the capacity to even contribute something to society. They're going to take it at its surface level and never dive deeper. It is what it is.
If we get caught up in a story, it's because we've started to care about the characters, and that can only happen if we've moved beneath the surface.
As I've grown as a creator, I feel that I want to tread in deeper waters and have a lot more going on emotionally with the characters. That's my appreciation for comics as a creator and a consumer as well. I'm more into stories that don't just bounce off the surface but go a little bit deeper.
There is more going on beneath the surface than we think, and more going on in little, finite moments of time than we would guess.
I've been taking my time now between projects looking for stuff that has a little bit more substance, that isn't surface. Some of the films that I've done in the past really were surface.
To achieve the intimacy between performer and audience in storytelling, I feel like I have to let the audience in on my emotional state, not just, "Here's a story I'm going to tell by rote, and you're just going to listen to it, because I'm such a wonderfully entertaining fellow." It's the idea of sharing enough of myself that it's not just all about, "Look at me, look at me." There's an element to it of, "You understand what I'm talking about, right? You've been in this place that I've been in," which makes it a richer experience.
Let's say I was like, "I'm going to write a book this year," which I'm not. Let's just say that was it. Then it would be for the joy of writing it. It wouldn't be like, "And it's going to be No. 1 and I'm going to get rich and go on a book tour and own a library." I don't know the difference between doing what I normally do and making a resolution. And if it doesn't happen, then I'm going to be miserable.
You do a draft and you get more notes. You start to get the feeling that this either isn't going to happen or it is going to take a really long time to happen, and I never felt that with this [the Girl with the Dragon Tattoo].
Breaking down that wall is the kind of story that might have a happy middle - oh, look, we broke down this wall, I'm going to look at you like a girl and you're going to look at me like a boy, and we're going to play a fun game called Can I Put My Hand There What About There What About There.
Here's the truth about telling stories with your life. It's going to sound like a great idea, and you're going to get excited about it, and then when it comes time to do the work, you're not going to want to do it. It's like that with writing books, and it's like that with life. People love to have lived a great story, but few people like the work it takes to make it happen. But joy costs pain.
If you actually dissect the lyrics in 'Motley Crue', you'll notice that there's a lot going on beneath the surface.
'Homeland' really is one of those shows where they start to write more or less depending on what's kind of going on in a relationship between characters.
Video looks like reality, it's more immediate, it has a verite surface to it. Film has this liquid kind of surface, feels like something made up.
I went to London to do the stuff. I was like "What am I going to do? What's going to happen?" But then once you start working, you forget all that and you start enjoying what you're doing. Once you enjoy the process, you know that people are going to do the same thing. If you don't enjoy it and just do it like a job, then it's going to be feel that way. That's my theory of doing a movie.
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