A Quote by Charlie Plummer

I think one of my favorite directors is P.T. Anderson - living directors, I should say. And Spike Jonze is one of my favorites, Gus Van Sant. — © Charlie Plummer
I think one of my favorite directors is P.T. Anderson - living directors, I should say. And Spike Jonze is one of my favorites, Gus Van Sant.
I've always loved music videos - I used to make my own for bands like Pearl Jam. My favorite directors are Michel Gondry, Spike Jonze, and Patrick Daughters.
I like so many different directors: Scorsese, Coppola, Cassavetes, Jarmusch, Gus van Sant, Woody Allen and the greats like Fellini, Bergman, Tarkovsky and among current filmmakers von Trier, Ang Lee, Wong Kar-wai.
I've had the opportunity to work with so many great directors. Different styles, as well, like Gus Van Sant. He just does the casting and the milieu and let's you do your thing, quietly. Bertolucci, who can talk to you about your internal world in quite a creative way or just say, 'Well, put your hand over here.'
I love so many directors. I love David O. Russell. I love David Fincher, I love Alexander Payne and Jane Campion and my aunt. Spike Jonze. There are just so many amazing directors.
I want to work with Wes Anderson, Paul Thomas Anderson, the Coen Brothers, or Spike Jonze.
Gus van Sant I met at the Berlin film festival, and he came up to me. He had a little film in the festival called 'Mala Noche' that he had made for $20,000. He said: 'You are one of my favourite actors. I'm doing 'My Own Private Idaho' with River Phoenix and Keanu Reeves. You should be in it!' Then I started working with Gus.
The first time I went to Cannes, Gus Van Sant was there in competition with 'Last Days.'
I don't think I have advice for female directors as opposed to male directors. I think all first-time directors should try and be as prepared as they possibly can, because it's hard!
And my idols in music videos are people like Michel Gondry and Spike Jonze and Johnathan Glazer and David Fincher and that's always kind of been my reference point in music video and commercial directors.
It's not hard to understand why an accomplished director like Gus Van Sant (whose most recent success, Good Will Hunting, gave him mainstream clout) would be interested in making this film. The lure of an exact remake presents a tremendous challenge. Unfortunately, it was undoubtedly a lot more stimulating for Van Sant and his crew to make Psycho than it is for an audience to watch it. Curiosity is going to be one of the primary reasons why people pay money to see this movie; boredom will be the predominant result.
I want to thank Gus Van Sant for selling out so that I could use his editor Curtis Clayton, who did a great job.
My favorite movies are from directors that have a vision, like Wes Anderson or Tim Burton.
Stoller is one of my favorite comedic directors - one of my favorite directors that I've worked with to date.
I would love to meet or work with Sofia Coppola. Or Wes Anderson or Spike Jonze. I'd love to meet them. The way they film, it's all so geometric.
There are a few directors as a young person where I was kind of like, 'Well, these are a sure bet.' The Coens, Paul Thomas Anderson, Wes Anderson.
'Bowling For Columbine' and 'Gus Van Sant's Elephant' really intrigued me. With 'Bowling For Columbine', I think Michael Moore just gave the perfect exploration of both the mass media interpretation of the event and going into the minds of these kids. These were messed-up kids who had hit a point of no return.
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