A Quote by Charlton Heston
In the mainstream film market, certainly in television, sex is handled fairly discreetly. I think the abuse of extraordinarily graphic violence and language presses much closer to the tolerance of public taste.
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Two things I do well in books are sex and violence, but I don't want gratuitous sex or violence. The sex and violence are only as graphic as need be. And never included unless it furthers the plot or character development
Two things I do well in books are sex and violence, but I don't want gratuitous sex or violence. The sex and violence are only as graphic as need be. And never included unless it furthers the plot or character development.
I think there's as much violence, in a way, as a scene with two women having a cup of coffee in a Ruth Rendell novel - in terms of emotional violence and the violence you can inflict with language - as there is in the most graphic kind of serial killer/slasher novel you can think of.
Preliminary research-most of it published outside the medical literature-indicates that a significant number of our patients have experienced some form of violence and abuse during their lifetime, including elder abuse, child abuse, gang-related violence, sexual abuse, and domestic violence.
There is no life to be found in violence. Every act of violence brings us closer to death. Whether it's the mundane violence we do to our bodies by overeating toxic food or drink or the extreme violence of child abuse, domestic warfare, life-threatening poverty, addiction, or state terrorism.
I think graphic novels are closer to prose than film, which is a really different form.
Well I don't think sex and violence have ever stopped a movie from being mainstream.
My approach to violence is that if it's pertinent, if that's the kind of movie you're making, then it has a purposeI think there's a natural system in your own head about how much violence the scene warrants. It's not an intellectual process, it's an instinctive process. I like to think it's not violence for the sake of violence and in this particular film, it's actually violence for the annihilation of violence.
I'm a right pain in the hole for my agent. I won't take certain parts if I think they're offensive or banal. For instance, I won't do a film if I think it's full of violence for violence's sake, or a television drama if I don't think it's intelligent writing.
I think so much of the horror film is about our primal instincts, and our primal instincts are not just towards violence. It's also towards sex. I feel like horror movies, as much as they're about violence, they're also about sex. It's about our instincts, so in that regard, it's crucial that you honor both of those things.
I think you want a little unofficial help. Three undetected murders in one year won't do, Lestrade. But you handled the Molesey Mystery with less than your usual - that's to say, you handled it fairly well.
Language is much closer to film than painting is.
In Sister Swing, the two sisters have boyfriends and they go to bed with them, but the descriptions are not graphic. They're minimal. The sex is not graphic in the way that DH Lawrence's Lady Chatterley's Lover has all these graphic passages.
With comics, you don't have to worry so much about budgetary constraints. In film and television, however fanciful you want to be, someone can come up to you and go, 'Okay, this is going to cost X amount of dollars, and we only have so many days to film this.' With graphic novels, you can have that alien invasion you've always wanted to see.
A cliche is like a coin that has been handled too much. Once language has been overly handled, it no longer leaves a clear imprint.
I think [forgiveness] may be the greatest virtue on earth, and certainly the most needed. There is so much of meanness and abuse, of intolerance and hatred. There is so great a need for repentance and forgiveness. It is the great principle emphasized in all of scripture, both ancient and modern. Somehow forgiveness, with love and tolerance, accomplishes miracles that can happen in no other way.
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