A Quote by Cherien Dabis
I think that you have to have a really specific type of personality to be able to both direct and act, because it requires enormous shifts in perspective. I mean, when you're directing, you're looking at the world through a wide-angle lens, and you're seeing all of it. You know exactly what's happening in every corner of it. You know what people are going to say. You know what they're going to do. You're controlling everything.
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Just because you don't know if other people are experiencing the same thing as you are, it doesn't mean that it's not happening. Everybody doesn't necessarily share everything. Just know that what you're going through, other people are going through it, too.
You always need to make sure that you're looking at every angle and every perspective so that people, when they read the story, know what's happening. You have to write for everyone.
You carry that through and adapt it to a camera lens, but you're quite right, you cannot be sure of what an audience is going to do. You don't know what's going to happen to the piece you're doing anyway. You don't know how it's going to be edited. There are a lot more unknowns in cinema. But that you have to readily accept. That's when, I think, you have to forget about intellect, to a degree. Intuition is very important when you're working with a lens, I believe, for what the lens is doing, too.
First of all, we have exactly the opposite type of audiences, for obvious reasons. So the competition is not going to be between the movies. I wish Dakota the best, not only because of this movie. I know the expectations of these movies are enormous but we know-every member of the family, brother, sister, real father-that she's a good actress.”
I get nervous when I do print interviews because I know that whatever I say is going to be shown through the lens of whomever I'm talking to. So I've read a lot of different versions of myself - and all of them are true because it's all opinion and they're as accurate as it can ever be. But I don't think that I've been deft at hiding parts of my personality.
I think that directing is the ultimate martyred task of filmmaking, that it has nobility to it. It takes three years to make a film, for the most part. I think it requires the attentiveness of a mother hen. I don't know how people raise children and direct films. I'm sorry, I don't know, how can you be good at both?
What held people together was the belief that you're really going to change the world. I think that's the nature of many startups. You believe that what you are doing is going to have a dramatic impact. You might not exactly know how, but you really have a belief. That keeps you going and going through many changes and a lot of uncertainty.
Barack Obama didn't say "I only want to be the President of Black people," he said "I want to be the President of the United States and have something to say about the United States and my perspective and my lens is going to affect my judgment on everything" and that's the way a Christian should be. I'm going to invade culture and my lens and perspective is going to influence culture just as much as anyone else's.
A lot of times, when doing the paranormal research and doing an investigation, you don't know what you're going to encounter. You don't know what you're going to come up against. People have to realize that we don't know them and they don't know us. I'm talking about the people that live in the homes. Sometimes you don't know what you're going to encounter, what type of situation you're going to walk into.
I think a lot of the writing, you know, I write is just kind of like that where, you know. I write exactly how I'm feeling sometimes, and hardships that I'm going through. But I always end up, like the choruses are like, "God, You are good. God, you're faithful. You know, I know You understand, You're right here by my side." All these different things. And I just say very personal experiences that I've been through. I mean, it's not always detrimental thing.
I'm going with Charlotte Rampling. In 45 Years [movie], you start out feeling so bad for her, and then it kind of shifts. I don't know how long you have to act to be able to say everything when you say nothing. The acting feels so real. It's not a fluke that a movie that probably no one's heard of, an actress performance comes out of it.
Nothing can really prepare you for live TV because you never know what's going to happen. I think, for me, what really helps is I know what I'm looking for when I'm shooting things, so it definitely helps to have that eye and know what camera you're looking at.
All writers know in advance that they are not going be able to reproduce in its wonderful fullness the thing that's in their heads; we're going to get some corner of it. We're going to do the best we can, but we already know it's beyond us.
That's because of everything the public interest and the media interest is focused on: What did Donald Trump know and when did he know it? Whether there was cooperation with the Russians. I don't mean to say that's a distraction or we shouldn't follow it up. But the underlying story of the Russians trying to subvert our democracy, both through propaganda, planted stories, manipulation of social media and through direct efforts to infiltrate our state election system, is really an enormously significant event. And it's not over.
I can tell any liberal why he or she thinks what they think. I can predict to them what their reaction to any event or person is going to be, because I know them, because I have taken the time because I'm curious to study it. I know what liberalism is. I know from where it springs and derives, and I know the vast majority of people who are liberals, what they are going to do, say, and think about.
But at a certain point, and I don't really know... people have asked me this. I don't know exactly what it was that pushed me towards directing, but I think it was a naive notion that if I directed I would be able to play all the roles. A kind of greed.
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