A Quote by Chris Gethard
People who get lucky, also tend to be really great looking, which is luck on some level, but it is also just the fact of the matter.
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You need an immense amount of luck and an immense amount of perseverance to even be on the playing field for success on a grand scale. You work as hard as you can for ten years so you finally have a chance to be lucky - It's really rare that somebody gets lucky. It's usually a combination of a lot of talent, a lot of hard work. People that get lucky also tend to be really great looking.
I wish I had more friends, but people are such jerks. If you can just get most people to leave you alone, you're doing good. If you can find even one person you really like, you're lucky. And if that person can also stand you, you're really lucky.
The theme of luck comes up a lot. It's something I thought about before, why some people are lucky and some people aren't lucky. It seems like some people you meet can sort of cultivate luck, and I've always been fascinated by that.
I got very lucky that some of the things that I wanted to work did work. Not because I knew what I was doing, just through dumb luck, it just looked beautiful and sounded great and captured some magical mood. And you just have to hope that you get lucky when you do big things like making a movie, or something.
We also worked with Marshall Jefferson for Groovy, Laidback and Nasty. So we were lucky to work with some really great people.
We did a black 'Julius Caesar' in which the predominant accent was Caribbean. This offends many people, you know. I also had a Chinese Marc Anthony. I also managed - this caused a great shock - I also got some white guys in it as well!
Strategy is, at some level, the ability to predict what's going to happen, but it's also about understanding the context in which it is being formulated. And then you have to be open-minded to the fact that you're not going to get it right at the very beginning.
I went to business school so what they teach you in business school was that success is about positioning yourself to get lucky. It's not just about how hard you work. It is also about a little bit of luck. To position yourself to catch the luck when it comes.
I've been really, lucky and sometimes you think, 'Why? How did this happen to me - what did I do to deserve this?' And you realize how much it's just luck. And then you see that there's a lot of people who are not as lucky as you are, and I want to like share that luck, you know?
I don't think you can create luck. You're either lucky or you're not. I don't know if it's really luck or if it's just curiosity. I think the main ingredient, or a main ingredient for photography is curiosity. If you're curious enough and if you get up in the morning and go out and take pictures, you're likely to be more lucky than if you just stay at home.
I think there's a million talented people out there, it's just a matter of luck a lot of the time. And good training, which we were lucky to have. And I think that's what people are curious about - other people, and what they're like.
'Big Time Rush' was a great show, and I had some great experiences. It allowed me to become more of a comedic actress, which is also a great skill to have. But there wasn't a whole lot of tragedy in there. Not quite as dark as 'Red Band Society.' So I've been very lucky to have been able to grow in that sense, just through moving to FOX.
Try stuff. I also used to believe that it's better to be smart than lucky because if you're smart you can out-think the competition. I don't believe that anymore-this is not to say that you should strive for a high level of stupidity. My point is that luck is a big part of many successes, so (a) don't get too bummed out when you see a bozo succeed; and (b) luck favors the people who try stuff, not simply think and analyze. As the Chinese say, "One must wait for a long time with your mouth open before a Peking duck flies in your mouth."
Employers tend to forget that the people who are working for them are also suffering. They also have problems. They also are facing issues.
The fact remains that books that really put gay people in the center, and especially books that do so in a way that is sexually explicit, tend not to get a great deal of mainstream attention: they don't tend to sell well, and they don't tend to win major awards. This makes the occasional exception, like Alan Hollinghurst, all the more remarkable.
Yes, there's something dangerous about turning people into token social activists. I was thinking about this recently with our pop-culture feminism, when feminism is such a buzzword in the media now. We're covering it in a way that we haven't before, but also in a way that's way more surface level. And while I think that there's some danger in that, I also think it's a great gateway for some people.
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