A Quote by Chris Rock
A comedy club is a place where you work out material, you're trying material.
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I don't believe I can offend you in a comedy club. I don't believe I can offend you in a concert. A comedy club is a place where you work out material; you're trying material.
The best adaptations are the ones that really excavate the material. The movies that work are the ones in which somebody very smart figured out how to take all the thematic material, all the character material, all the filigree, all the beautiful writing and put it into a story.
I get the greatest joy from just doing anything, being an actor. Doing music, and doing what I love to do. I don't make a huge distinction between comedy and drama. I think the whole point is just trying to be as honest, from moment to moment, as you can be. If you're honest about the material, and the material is ridiculous, then you're in a comedy.
You know how hard it's been to write material? Because to do stand-up comedy, it takes time for the material to develop. So you'll come up with a joke, you'll tweak it, you'll work it for six months, you really fine tune it, and now you've got a good bit. Well, with Trump, every day there's something new coming out.
I think what happens is that we're so busy as pastors that we never get around to trying to turn that material into a book. It's a shame because there is so much good material out there that needs to be published.
With 'The Tudors,' I had a huge amount of material, I mean so many books and so much stuff about what they really said. So, in a way it was kind of trying to strip it out and find the stories inside all this material.
Every once and a while somebody writes a script, but even regardless of what age you are, most of the actors would all agree that it's all based upon material and the material has got to spark with you. It may be great material but you think it's great material for somebody else. Or it's great material and I'm perfect for it. So, you just have to make that judgment and if you feel in the mood to do it.
It's depressing sitting at a comedy club all night, waiting to get on to do your five or ten minutes of material.
The movies that work are the ones in which somebody very smart figured out how to take all the thematic material, all the character material, all the filigree, all the beautiful writing, and put it into a story.
I never go about a new project as if I'm trying ot redefine myself. I just like to work, and I'm excited by material I find challenging and - if it's a comedy - exceptionally funny.
I have to say that my background in comedy, of performing live, has been such a great foundation for what we do now on camera. I really value having that kind of experience. Because when you're doing comedy shows you're writing your own material and trying it out on people and you know people find funny and don't.
When I say 'publishing is the new literacy,' I don't mean there's no role for curation, for improving material, for editing material, for fact-checking material. I mean literally, the act of putting something out in public used to be reserved in the same way.
Comedy is a funny thing, and it's really not like any other art form in that it's very specialized and varied in it's content, but generic in it's title. You would never go to a club just to see "Live music," you would go to a jazz club to see jazz, a blues club to see blues, etc. But when you go to see "standup comedy," if you don't know the performers material, you really don't have any idea what you're gonna get.
What we see is what they're trying to sell us. It's not true nostalgic as much as it is repeating old material because it's less expensive than new material.
The material I did was lasting material. A lot of people thought I wasn't doing anything, but I was in the studio. The biggest factor is the material you choose. You hunt, you cut.
We must remember that everything depends on how we use a material, not on the material itself... New materials are not necessarily superior. Each material is only what we make it.
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