A Quote by Christian Bale

I've always felt that I would rather see an actor, writer, or musician's work, rather than actually know the person. If you know too much about an artist, it somehow lessens their ability to do their work as well.
But I'd rather help than watch. I'd rather have a heart than a mind. I'd rather expose too much than too little. I'd rather say hello to strangers than be afraid of them. I would rather know all this about myself than have more money than I need. I'd rather have something to love than a way to impress you.
If I've done my work well, I vanish completely from the scene. I believe it is invasive of the work when you know too much about the writer.
I would much rather be acknowledged for the work that I do rather than being a woman doing the type of work I do.
Writer-directors are a little bit more liberal, rather than having just the writer on the set, because I think sometimes the writer becomes too precious with the words. If you're a writer-director, you can see what you're doing and see your work in action, so I think you can correct it right there and still not compromise yourself.
If the audience lets that stuff wash over them, you know - almost like music, rather than dialogue - and doesn't fight it, then they'll have a much easier time rather than being sort of frustrated and confused otherwise. But if you get in the right state of mind it really does work quite well.
Virtually every writer I know would rather be a musician.
Help to Work' always felt like a singularly inappropriate name for a scheme which had the express intention of 'stepping up the pressure' on the long-term unemployed, rather than actually helping them into work.
We're in a post-conceptual era where it's really the artist's idea and vision that are prized rather than the ability to master the crafts that support the work. Today, our understanding of an artist is closer to a philosopher than to a craftsman.
Everybody's complaining about all of Trump's cabinet members, how rich they are, that's horrible. I'd rather have that than a bunch of people in Obama's cabinet that have never spent a minute making a payroll, creating a job, or a service, or inventing a product. What the hell is there about academics from the faculty lounge who don't know what they're talking about other than theoretically. Why not have a bunch of people who have succeeded wildly, sharing what they know, implementing what they know nationwide? I would much rather have that.
We aren't defined by our work. People think if you over-identify with your work, then that must mean you're giving over too much of yourself to it, that there's something wrong with that. We're trained to believe in things like work-life balance. So much work is tending towards service. It's very much about creating experiences rather than products, and it makes those boundaries between life and work very slippery.
The first time I had work in a public space it felt very strange to see people that I didn't know looking and, and presumably commenting on, my work. Nowadays, I'm a bit more fatalistic - they either like the work or they don't and there's not a lot I can do about that. The trick seems to be not to get too pissed on open nights so that I can answer any questions without making a fool of myself. Doesn't always work!
I don't know. You know, when I'm not acting, I'm not an actor. I'm just a person. That's how I go through life. I'd rather not - you know, like a lot of actors, you know, they spend their whole 24 hours a day being an actor.
The whole endeavor becomes less about a constraint on action and rather about helping us to be more of who we would actually like to be, at our best and if we felt it were possible. Rather than positioning effort as being about "thou shalt not," it becomes all about "can do!"
One actor in my life is enough, and that's me. With actors, it's too easy to go into this world of complaining. Someone will always be better, richer, more loved, do more work. Those dynamics don't interest me. The friends I hang out with, we create our own work rather than complain about acting.
No matter how much utter disdain I have for the work of a particular artist, I would still rather that he had created those works than hadn't
Make this decision today. Will you be a good and honest writer, or would you rather be famous, loved, noticed? Tell me, because there are different paths for these two divergent goals. The decision to be a true artist is lonelier and slower, but it will lead to better work and, I think, a better life. Very rarely you will be a good and honest writer and also know a little comfort and some attention and the well wishes of a crowd. This is very rare.
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