A Quote by Christie Golden
I have a rule, and that is that I don't take on any project that I don't A) already know and love or B) believe I could get to know and love. Some of the most fun projects have come from franchises I knew nothing about initially. I would steep myself in the material, get all excited and geeky about it, then be able to produce something that hopefully both the creators and the fans would enjoy.
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In film school, you get skills, but then you get lackey jobs, working on projects that you probably don't care about. And there's something in me where I just couldn't bring myself to edit some misogynistic rom-com or movies that I would have hated to be a part of. So I knew I just wouldn't get any work because of that.
If I could get myself to a place where I felt secure and I wouldn't have to kind of worry about money and I know my family would be secure, then I would leave the big studios so I could continue to make smaller films, and hopefully get to direct a few of them, too.
I'm not interested in going to casting after casting, trying to get into that game. So there is a part of me that knows that I will do more characters, even if I have to produce those projects myself to get those projects out there. If the right characters come along, I would love to. I would jump at the chance.
Love’? What do you know about love?” "It’s at the heart of every story,” Rollo said with authority. “If humans could avoid falling in love, you would never get yourselves into any trouble.
It makes it easier to adapt a book that is popular with kids because of how excited they are about the project; you don't get the criticisms you would get with other projects.
The biggest thing that I get most excited about is, my family and I would watch television together, and we weren't just passive viewers. Something would happen, and then we would talk about it. When Will Smith was shot on 'Fresh Prince,' that sparked a conversation about safety.
My love of classical hit pretty early. I was 13 when it occurred, and that was really the only music I listened to for many, many years. I went to a conservatory, but I always knew I would be in the pop world, because A) it was more fun and B) you didn't have to practice as much and you could go out more. But I immediately saw this opportunity to inject my material with these sounds that most members of my generation really didn't know about, so it was a great way to differentiate myself from the pack.
I love Marvel. I'd be happy to do other projects with them at any time. They're a great company - I love all the guys and girls over there - they always are able to get a really fun cast for almost every project they have, which is often. And, of course, who doesn't want to be a superhero?
Maybe the first time that you know you really care about something is when you think about it not being there,and when you know-you really know-that the emptinessis as much as inside you as outside you.For it falls out,that what we have we prize not to the worth whiles we enjoy it;but being lacked and lost,why,then we rack the value,then we find the virtue that possesion would not show us while it was ours.That's when I knew for the first time that I really did love my sister.
If the project has good writing and is something I get excited about, then I'll do the role. And if it's for TV, I'll ask myself, 'Is it a show that I'd watch?' If it's a play or movie, I'll want to know if there's a good director attached.
The Twelve Chairs is about the same thing. It's all about money or love. We know we need money, we know we have to get money, we know we have to hurt others to get money. But we don't know until maybe it's a little too late in life that love is the most important thing. Love, friendship, affection, bonhomie, whatever. Those are the only things that really count: to love and be loved.
I would love to do both but I think I believe there's a thing as overexposure and I think people will get sick of me real quick. I kind of basically looked at it as my retirement plan now. That's definitely something I can do when I'm not wrestling anymore. And believe it or not - this sounds horrible - but it was really easy for me. I would really love to do both. I'd love to wrestle and do commentary, I think that would be awesome.
Maybe it was just me shorting myself to hedge my expectations. As a fan, I was excited about the project. If you look at the body of work for the people involved, I was excited about the project, but I didn't really know. There were people saying, "I think we're going to be part of something huge."
That's why I love doing television because it's something that fans and viewers can sit down each week and get to know your character and get to know the show and get to know what's going on and fall in love with you all over again, like they did in previous shows.
Could you not give me some sign, or tell me something about you that never changes, or some other way to know you, or thing to know you by?" — "No, Curdie: that would be to keep you from knowing me. You must know me in quite another way from that. It would not be the least use to you or me either if I were to make you know me in that way. It would be but to know the sign of me — not to know me myself.
It's all about trying to find those projects where you get to enjoy yourself, because I think that's when you create as well: when you're genuinely excited about something. Then you're not just doing it because it's your job.
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