A Quote by Christina Hendricks

A woman is beautiful when she stands out as an individual—it's a woman who has her own style and the confidence to pull it off. Half the women on the streets in New York City achieve this. I get so inspired every time I'm there.
Because there’s a clock attached to every beautiful woman. From the second she comes into her own, she begins to decline, because she begins to age. Aging is every beautiful woman’s kryptonite. And so, yes, it’s ridiculous and no, you don’t have much time and of course it’s not fair. Those three statements are the essence of beauty.
All things I do are in every woman. Every woman is Medea. Every woman is Jocasta. There comes a time when a woman is a mother to her husband. Clytemnestra is every woman when she kills.
We women are callow fledglings as compared with the wise old birds who manipulate the political machinery, and we still hesitate to believe that a woman can fill certain positions in public life as competently and adequately as a man. For instance, it is certain that women do not want a woman for President. Nor would they have the slightest confidence in her ability to fulfill the functions of that office. Every woman who fails in a public position confirms this, but every woman who succeeds creates confidence.
I like woman who doesn't necessarily care if other people like her. She is she who she is and figures people can take it or leave it. What I do like is a woman who has the guts to tell exactly as she feels. It's not appealing when a woman dresses to please a man. It's way more attractive if she has her own distinct style and wears what she feels best in.
Women sometimes really love to look at other beautiful women on the screen. But they don't look at a woman the way a man looks at a woman. They want to be that woman. They like if a woman is beautiful or sexy, especially if she's powerful. They like to see her catch a man, or to be powerful in the world. I think this is why a lot of women love noir films and classic films because they can really identify with these really strong, beautiful women. That's the kind of power that women have lost culturally.
I like Rihanna's style a lot. I like how she pulls off this cool tomboy style. I get inspired by other models; I think their off-duty style is cool. I get inspired by new designers that I see on Instagram. It just depends. I get inspired by the '90s a lot, and I look back on old things.
Maybe a young woman will go see a show by a woman, or starring a woman about women's issues, and that will help her get to that quiet place inside of herself where she can then explore what it means to be a woman to her.
I talked to my mother about it a lot. I asked her what it was like to grow up in New York and Harlem in the 1920s and 1930s, and I asked her about a woman leaving her husband. I asked her about how she would feel about that woman, and my mother grew up in the Church Of God In Christ, and she told me that the woman might be isolated because the other women thought she might go and come after their husbands. That's how they thought then.
This city has so many beautiful women. I fall in love like every ten minutes, I'm sitting on the subway, I'm like, "There's my wife... there she is - oh, she's getting off. All right, there's the woman - all right, that's a man."
A woman will not understand what true dependency is until she is cradling her own infant in her arms; nor will she likely achieve the self-confidence she craves until she has withstood, and transcended, the weight of responsibility a family places upon her -- a weight that makes all the paperwork and assignments of her in-basket seem feather-light.
There are roughly three New Yorks. There is, first, the New York of the man or woman who was born here, who takes the city for granted and accepts its size and its turbulence as natural and inevitable. Second, there is the New York of the commuter — the city that is devoured by locusts each day and spat out each night. Third, there is the New York of the person who was born somewhere else and came to New York in quest of something.
I wanted Bow's hair and makeup and clothing to look like a woman who has four children, a career, and a full life. For example, she won't wear eyeshadow unless she's going out. Because it takes a lot of time to put eyeshadow on. She's a woman who has style, but it's all about functionality - she grabs stuff from her closet.
The point I wish plainly to bring before you on this occasion is the individuality of each human soul--our Protestant idea, the right of individual conscience and judgment--our republican idea, individual citizenship. In discussing the rights of woman, we are to consider, first, what belongs to her as an individual, in a world of her own, the arbiter of her own destiny, an imaginary Robinson Crusoe with her woman Friday on a solitary island. Her rights under such circumstances are to use all her faculties for her own safety and happiness.
The Ellevest target client is the professional woman who either has her own money or has agency over her family's money. She is among the 75 million women in the U.S. workforce who want to take financial control and is looking for a straightforward way to achieve her dreams on her own terms.
Speaking of opinions, the charming woman does not air hers very freely. The crude woman is eager to let you know what she thinks of every matter, person or object that bobs up. She comments on every passing item - even in public, as you may have noticed. Not only is it bad taste for her to be so desperately interested in her own reactions and opinions - but she throws away the precious aura of reserve and mystery that makes a woman attractive.
Feminism has nothing at all to do with being 'feminine.' Feminine means accentuating the womanly attributes that make women deliciously different from men. The feminine woman enjoys her right to be a woman. She has a positive outlook on life. She knows she is a person with her own identity and that she can seek fulfillment in the career of her choice, including that of traditional wife and mother.
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