A Quote by Christopher Bailey
I love the creative process of the research, development, but I love also when it comes to reality, it has to be an experience. I don't care if it is an experience while you are trying something on, whether you are in a physical place, or whether you are online kind of playing, I love that you can create stories and atmospheres wherever you are.
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I love playing roles that are physical, absolutely love. Whether it's just that kind of basic level of physicality or whether it's stunts.
We [with Neal Dodson and Corey Moosa] wanted to draw people in with a dialogue - whether it's a creative process or a social issue or innovation of some kind; whether it was how we told the stories or what stories we told. We produced some online videos.
It is that kind of space, that little space of longing, whether it is in something like romantic love, or whether it's in something like divine love. You know, that kind of search for something that's not quite in your grasp. It's a very powerful place to explore as an artist, because it's not necessarily sad.
I love making people laugh and feel good, and that's awesome and special for me to be able to do that, but there really is nothing like kicking ass whether it's on a major scale, or whether it's in more of a dramatic fashion. Being physical and taking care of business the old-fashioned way is something that I love doing.
Our experience of love is more of a measure of whether we're connected with the universal source of this energy. In other words, there's some life energy that we have and sort of share with people we might be relating to that takes place, that operates whether we're sort of feeling in a state of love or not. But love is the measure of whether we're really connected with the internal source of this energy where we can consciously sort of fill up and amplify the amount of energy that we're able to take in from the inside.
What I really love is modern political history. I love the research process, whether it's digging through old newspaper stories, artifacts from election campaigns or TV stories and being able to recreate moments in history that - when you look back at them now - you can get to that question of how did we get here.
Being an actor, when you sign onto a project - whether it's good, bad, or indifferent - you kind of fall in love with it. You fall in love with the experience, you fall in love with the memories.
Love, what is love? I don't think you can really put it into words. Love is understanding someone, caring for him, sharing his joys and sorrows. This eventually includes physical love. You've shared something, given something away and received something in return, whether or not you're married, whether or not you have a baby. Losing your virtue doesn't matter, as long as you know that for as long as you live you'll have someone at your side who understands you, and who doesn't have to be shared with anyone else!
But love, whether in Multan or on Siberia's icy tundra, whether in the winter or the summer, whether among the rich or the poor, whether among the beautiful or the ugly, whether among the crude or refined, love is always just love. There's no difference.
The impression is that love is something that happens to you like magic. That love is something others do for you, but that you cannot do for yourself. Love is not something you wait for. Love doesn't just happen. Love is something you do. When you want love, give love. Moment to moment, you make the choice whether to give love and be loved.
You ask whether I have ever been in love: fool as I am, I am not such a fool as that. But if one is only to talk from first-hand experience, conversation would be a very poor business. But though I have no personal experience of the things they call love, I have what is better - the experience of Sappho, of Euripides, of Catallus, of Shakespeare, of Spenser, of Austen, of Bronte, of anyone else I have read.
Time exists so that you can experience these flavors as deeply as possible. On the path of devotion, if you can experience even a glimmer of love, its possible to experience a little more love. When you experience that a little more, then the next degree of intensity is possible. Thus, love engenders love until you reach the point of saturation, when you totally merge with the divine love. this is what the mystics mean when they say that they plunge into the ocean of love to drown themselves.
I always loved the creative process, from 'Shakespeare in Love' to 'Finding Neverland' to 'Basquiat'; whether it's serious, or it's comedic, whether it's the 'inside look' at that, it seems to be a theme of what I do.
I love independent films because I love to help, I love to assist, I love to pass along knowledge or experience to young filmmakers because usually, that's what they are. They're young filmmakers who are trying to either just simply tell their stories or trying to break into show business, and this is their calling card. But either way, I just really respect young filmmakers who are trying to tell a story that means something to them.
We're not in the physical world. The physical world is in us. We create the physical world when we perceive it, when we observe it. And also we create this experience in our imagination. And when I say "we," I don't mean the physical body or the brain, but a deeper domain of consciousness which conceives, governs, constructs and actually becomes everything that we call physical reality.
All experience is a drug experience. Whether it's mediated by our own [endogenous] drugs, or whether it's mediated by substances that we ingest that are found in plants, cognition, consciousness, the working of the brain, it's all a chemically mediated process. Life itself is a drug experience.
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