A Quote by Christopher Eccleston

What goes down on film is different to what you see with the naked eye. — © Christopher Eccleston
What goes down on film is different to what you see with the naked eye.
I don't study films particularly. I plan to direct, but I'm not watching film - I watch the entire film to see how the story goes, but I don't say, 'Oh, so he does a slow pan here, or he pulls here, watch the crane shot, or look at the composition,' because it's got to be my eye.
What it comes down to, you see, is that a naked body is just a naked body. But the possibility of a naked body is something special.
I've read that a naked eye can see six thousand stars in the hundred billion galaxies, but I couldn't believe it, what with the sky white with starlight. I saw a million stars with one eye and two million with both.
Should I tell you one thing, I am blind from my right eye. I see only from my left eye. The one you see is someone else's eye which was donated to me after his death. If I close my left eye, I can see no one.
You know what? As a black person, you see so much racism. Films are no different than the government, politics - it's everywhere. It's not exclusively film. It's infuriating to see it in film. But my being in film changes things.
People don't understand the classification process and they also don't understand a condition like MS and how it has different effects on different people. Neurological conditions are all so different because we don't know what people have gone through and how their brains adapt to it all and you can't assess everything with the naked eye.
This is just the way it goes: there's always a cycle with music - it goes up and it goes down, it goes risque and it goes back, it goes loud then it goes soft, then it goes rock and it goes pop.
African films should be thought of as offering as many different points of view as the film of any other different continent. Nobody would say that French film is all European film, or Italian film is all European film. And in the same way that those places have different filmmakers that speak to different issues, all the countries in Africa have that too.
My inspiration has always been photography's ability to stop time and reveal what the naked eye cannot see.
The power of imagination created the illusion that my vision went much farther than the naked eye could actually see.
The camera kind of finds things that the naked eye can't even see. By moving in a certain way, you're already telling part of the story.
Serving people we don't see eye to eye with is the essence of Christianity. Jesus died for a world with which he didn't see eye to eye. If a bakery doesn't want to sell its products to a gay couple, it's their business. Literally. But leave Jesus out of it.
Film as dream, film as music. No art passes our conscience in the way film does, and goes directly to our feelings, deep down into the dark rooms of our souls.
I wanted to meet other artists. I suppose I simply felt that I was taking pot shots at clay pipes. Pop! Down goes Gertrude, down goes Jean Cocteau, down goes André Gide.
Humankind's craving to control nature and exploit all its resources for profit can be wiped out in a stroke by an organism we cannot even see with the naked eye.
Electricity is actually made up of extremely tiny particles called electrons, that you cannot see with the naked eye unless you have been drinking.
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