A Quote by Christopher Lloyd
I'm persistent. In the early '60s, when I first started making the rounds in New York for theater work, I became more and more enraged every time I had an interview or audition that went nowhere, and became more determined. I haven't lost that.
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My writing became more and more minimalist. In the end, I couldn't write at all. For seven or eight years, I hardly wrote. But then I had a revelation. What if I did the opposite? What if, when a sentence or a scene was bad, I expanded it, and poured in more and more? After I started to do that, I became free in my writing.
The new midlife is where you realize that even your failures make you more beautiful and are turned spiritually into success if you became a better person because of them. You became a more humble person. You became a more merciful and compassionate person.
The first time I shopped at a comic shop, it was because I had been published in a comic book. As I became more involved in comics, I started going more and more, usually to support my friends or lady-friendly comics.
In the 2000s, I became an artist. I started preserving and educating. I became more obsessed with making iPod playlists for people.
Well, I think one of the reasons Chicago became so popular as a filmmaker location is because New York had been used so many times that Chicago, I think, was rediscovered maybe in the late '60s, early '70s for a long time as a new location.
When I started coming to do shows in New York, New York had a pretty electric energy then. It was the early-nineties, and there was a lot of really fun theatrical types that were designing, and so the runway kind of became this stage for all of these mega model personalities to flaunt their stuff.
Surfers travelled and opened up and changed. It became more mainstream, less of a cult. And it diversified. On any given day in the water now I'll meet three generations of surfers, male and female, everyone sporting a different craft. I started surfing in the 60s and I can tell you it's infinitely more diverse. It might be more crowded but it's also more interesting.
In the end, my pursuit of the elusive New York State driver's license became about much more than a divorced woman's learning to drive for the first time.
But the more successful I became as an actor, the less control I had. I became more of a puppet, really. It certainly felt like that, at least.
I just became a stronger agnostic, and then I started to realize that everyone who was saying they were agnostic really hadn't thought about it that much. Still, I went with agnosticism for a long, long time because I just hated to say I was an atheist -- being an atheist seemed so rigid. But the more I became comfortable with the word, and the more I read, it started to stick.
You have rappers saying "stay off drugs, go to school" - empty verbal behavior. I think all of this became institutionalized in the early '90s. And it's become more and more solidified, more and more entrenched.
That subject has lost its one time appeal to economists as our science has become more abstract, but my interest has even grown more intense as the questions raised by the sociology of science became more prominent.
For me, and maybe for many religious kids of the '60s, the church lost relevance the more it became a surrogate in the movement for social and political change.
When I was 12 there was a big shift in mindset and I realised that if I want to get something out of it then I need to work hard and focus all my energy just for this sport and that's when I started training and taking things more seriously. I became a lot more self-critical and analysed the driving more and more, and that was when I was 12.
It was somewhere in doing the last season of 'Leverage' that John Rogers and I became confident that we had developed an all-new production technique where we could put more on the screen with very little money. So we started to get more comfortable with the idea of trying to tackle 'The Librarians.'
When I first started out on the soap, I was more theatrical, like a stage actor, a little bigger than life. As I did more and more Love Of Life, I became more natural. I learned the value of underplaying. It was a great training ground for me. There was a big difference in my style of acting from where I started with that show and where I ended, and where I ended was a good jumping-off point for doing nighttime television and movies.
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