A Quote by Christopher Moore

Don't drive drunk. Ever. Don't shag anyone you don't like, or who doesn't like you. Get a look at how people live in a place where you don't. Suffering is over-rated, don't pursue it. Ask for help when you need it, don't when you don't, and learn to recognize the difference. Don't confuse movement and progress. Be kind. Be forgiving. Pay attention.
After a while, you just want transportation, and things like cool cars or motorcycles are all about getting attention. I get all the attention I could ever need, so I kind of like being in a minivan and people not paying so much attention to me.
People ask me a lot about my drive. I think it comes from, like, having a sexual addiction at a really young age. Look at the drive that people have to get sex - to dress like this and get a haircut and be in the club in the freezing cold at 3 A.M., the places they go to pick up a girl. If you can focus the energy into something valuable, put that into work ethic
Taxi drivers used to ask me what kind of music I did and I'd say, well, it's kind of jazz, soul, classical - but that makes no sense to anyone. Now I say I just write my own songs. I thought I had to help people get me, but I don't think they need to be spoon-fed. If you connect with me that is cool. I don't need the whole world to feel like I am a soul angel.
Scott: Friends don't let friends drive drunk. Nora: Are you trying to appeal to my conscience? Scott: How can you turn down a once-in-a-lifetime chance to drive the 'Stang? Nora: How about you sell me the 'Stang for thirty dollars? I can even pay cash. Scott: Drunk, but not that drunk, Grey.
The poor, you know, have a way of solving problems...they have a tremendous capacity for suffering. And so when you build a vehicle to get something done, as we've done here in the strike and the boycott, then they continue to suffer - and maybe a little bit more - but the suffering becomes less important because they see a chance of progress; sometimes progress itself. They've been suffering all their live.s It's a question of suffering with some kind of hope now. That's better than suffering with no hope at all.
People say that soundstage sets never quite look like reality. But actually, they can. They can be as real as you want as long as you pay attention to the kind of detail that is given for free in a real place.
Look at how successful the domestic workers movement has been. But it's different when it's your husband hiring someone. Domestic workers quite literally say, "You need to get your house in order. You can't join this movement unless you look at yourself." And they're very forgiving, amnesty for everyone. "You haven't been paying into your nanny's unemployment insurance? That's cool, we'll teach you how to get right and go from there." What would the parallel be around sex workers? I don't know if there can be one.
From the simplest lyric to the most complex novel and densest drama, literature is asking us to pay attention. Pay attention to the frog. Pay attention to the west wind. Pay attention to the boy on the raft, the lady in the tower, the old man on the train. In sum, pay attention to the world and all that dwells therein and thereby learn at last to pay attention to yourself and all that dwells therein.
I'm the most inappropriate dad. I curse in front of my kids and their friends. I let my kids watch R-rated movies. I'll walk by the movie theater and say, 'Let's go see that,' and my kids will say, 'No, it's rated R. It's not appropriate for kids.' I'm like Uncle Dad. We have fun. I don't live with them, but I drive over four days a week.
Every time I have people over, I watch how long they look at every part of the painting, or pictures on my computer. I have a few close friends and people that are constants. Whether I like their opinion or not, I've been hearing it for a long time and I can use it as this constant. I mentally pay attention to how long they look at every image, which ones they pause on and what parts of it they look at.
When I first got my ring name as Carmella, I knew I was just going to do whatever I could to create this over-ridiculous, over-the-top character that would just help me get my face, and I don't even know what I'm trying to say, but just get me out there and just show, like, 'OK, wow, we need to pay attention to this girl because she has something.'
Anyone who wants to be an entrepreneur like someone else is actually looking in the wrong direction. You don't look out for inspiration, you look in. You have to ask yourself how can I be better today, at solving the problem I am trying to solve for my company. I wouldn't encourage anyone to be like me. Just be like you.
The fact is that there's hundreds of thousands of incredibly motivated, active political partisans working on the blogs. These people generate buzz, it generates local activism. These aren't the kind of people that pay attention a little to politics, turn it off and then do something else. They live and breathe politics. And anybody that wants to build a movement or a successful campaign needs people like the people who read blogs.
American women mean a great deal to me. They're such lost souls, particularly the women of my generation. And women need so much help. They never have anyone to turn to. I help them understand how they can look better, how to do this, do that, get a job. And they're very trusting. Like little lost kids.
If you have it you don't need it. If you need it, you don't have it. If you have it, you need more of it. If you have more of it, you don't need less of it. You need it to get it. And you certainly need it to get more of it. But if you don't already have any of it to begin with, you can't get any of it to get started, which means you really have no idea how to get it in the first place, do you? You can share it, sure. You can even stockpile it if you like. But you can't fake it. Wanting it. Needing it. Wishing for it. The point is if you've never had any of it ever people just seem to know.
Drag is great way to get people to pay attention to me, but it's a difficult way to get people to take me seriously as a musician. So it's a weird Catch-22. It's like a gimmick that gets them to pay attention, but when they see my image, they're like, 'There's no way this is going to have any legitimacy to it.'
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