A Quote by Christopher Paolini
Eragon started as me but ended up evolving into his very own character, .. Even as he has gone through his coming- of- age story, the process of writing and publishing these novels has been my own coming- of- age story. There are parallels between my own experience and Eragon's, but fortunately, I don't have people charging at me with swords.
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My mother was a full-time mom, and Dad started his own business. He was a mini-American dream story. Came from Russia at age 4, started his own pen business in Brooklyn. The company isn't around now, but he created his own healthy little world, leaving a decent legacy. My dad taught at Cooper Union but was never fully graduated himself.
I started drawing at a very young age. Writing a story wasn't satisfying, but to actually draw our own world - it's like controlling your own dreams.
The convention of the coming-of-age story and the love story were literally abandoned - because they had to be - and a new kind of coming-of-age and love story emerged that required a different kind of telling the story.
This middle age thing is a little weird. Some friends and mentors are gone, and there's a very forward-looking new generation coming up behind me. So it's very much finding my own place.
I'd been writing my own coming-of-age story, and I got to take a lot of that energy and a lot of those moments and themes that I wanted to explore in a much smaller film and then apply them to 'Spider-Man: Homecoming.'
I more seriously considered publishing it under a pseudonym than I considered publishing it as fiction. I think the decision to write it as nonfiction happened at the very outset of the process, because the overwhelming impetus for writing this book was to understand what the experience meant, and to override my own reductions and rationalizations, whatever story I had that was not true. It didn't sit well with me and I needed to answer that. That's sort of the reason I write everything.
The coming-of-age story has sort of become a joke. It's something to capitalize on, and that is painful because when you are coming of age - when you are going through something like that - the genre is so meaningful.
A lot of the book [The Yoga of Max's Discontent] is about karma and rebirth. Things like that are very attuned to my life as an Indian, but when I approach it from a perspective of a Westerner, then I have a skeptical, yet kind of novice view on it. I think that choice really liberated the story to be its own story. A lot of the conclusions that Max reaches on his own are not mine at all. So, I think that allowed the story to take on its own momentum, to have its own propulsive force.
One day I hope to open a shelter of my own. I think it's really important to share my own story with women who've been abused, because going through that experience has led me to where I am today: It's given me the strength and motivation to be the best that I can be.
A child in his earliest years, when he is only two or a little more, is capable of tremendous achievements simply through his unconscious power of absorption, though he is himself still immobile. After the age of three he is able to acquire a great number of concepts through his own efforts in exploring his surroundings. In this period he lays hold of things through his own activity and assimilates them into his mind.
A person whose desires and impulses are his own - are the expression of his own nature, as it has been developed and modified by his own culture - is said to have a character. One whose desires and impulses are not his own, has no character, no more than a steam-engine has character.
For me, there's a deeper genre appreciation for what a coming of age story can be about. To apply that to a superhero world, for me, that was very exciting.
Even when he transposes Roald Dahl's 'Fantastic Mr. Fox,' he injects so much of his own personality and his own world that it becomes a Wes Anderson story, and you forget that Roald Dahl is behind the story. That's the proof of great directors to be able to digest and recreate sometimes a classic.
The story goes that every Jedi constructs his own lightsaber, and every penmonkey constructs his own pen. Meaning, we all find our own way through this crazy tangle of possibility. This isn't an art, a craft, a career, or an obsession that comes with easy answers and isn't given over to bullshit dichotomies. We do what we do in the way we do it and hope it's right. Read advice. Weigh it in your hand and determine its value. But at the end of the day - and at the start of it - what you should be doing is writing. Because thinking about writing and talking about writing just plain isn't writing.
Planning your own coming-of-age experience may wither you prematurely, but just think of it this way: If you can get through this, childbirth should be a breeze.
I think that I came of age in the 1970s with my own work, and it was a time of conceptual and process art, and it was very important not to tell a story. If you told a story, when I was a young artist and first came to N.Y., it was, like, an embarrassing way to make art.
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