A Quote by Chuck Inglish
The Midwest is a musical melting pot and the source and birthplace of several musical genres.
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I don't think any other holiday embraces the food of the Midwest quite like Thanksgiving. There's roasted meat and mashed potatoes. But being here is also about heritage. Cleveland is really a giant melting pot - not only is my family a melting pot, but so is the city.
'Supafunkrock' is a musical gumbo. We throw all those musical influences into the pot and put it out there.
At one time musical theater, particularly in the '40s and '50s, was a big source of pop songs. That's how musical theater started, really - it was just a way of linking several pop songs for the stage.
There is nothing wrong with loving musical theatre, but I think that it's naive to hold it superior any other musical classification, especially since these other genres have been influencing Broadway more and more in recent decades.
The melting-pot idea is futile ... The brew in a melting pot is always boiling over.
I travel the world, and I'm happy to say that America is still the great melting pot - maybe a chunky stew rather than a melting pot at this point, but you know what I mean.
I do think musical-theater actors can get a bad rap, and I see why. There is a certain slickness - there's nothing better than an amazing musical, but an okay musical can be one of the worst times you've ever had.
Every disease is a musical problem. Its cure a musical solution. The more rapid and complete the solution, the greater the musical talent of the doctor.
Genres aren't that relevant. Nearly every form of music is a melting pot of things of things.
Looking back, I think I was always musical. My dad was very musical, and I think my mom was musical.
Louie Bellson represents the epitome of musical talent. His ability to cover the whole musical spectrum from an elite percussionist to a very gifted composer and arranger never ceases to amaze me. I consider him one of the musical giants of our age.
We've had musical stuff in the show [South Park] forever. That's mostly because Trey's a big musical fan, and he's a great songwriter. He's been writing songs his whole life. So since the beginning, we've always put a lot of musical moments.
I think it's silly when people try compartmentalize musical genres. That was always my problem with the chillwave thing - people were trying to make it into some kind of musical movement, when it was not a movement. A couple dudes had a couple songs for a couple months. It's going to be a disparate onslaught of people throwing ideas at the wall.
Whatever is original in my writing comes from my musical apprenticeship. I look for rhythm in words. I imagine words as if they were musical chords. Often I'll write something, read it, and find it musically unsatisfactory. There is a musical imperative in my choice of words.
I love plays that have musical moments. I'm not a big fan of musicals per se, but I love straight plays that have musical edges to them. I don't know if I will ever be able to structure a musical, but 'Finer Noble Gases' is as close as I've gotten.
Musical theater is an American genre. It started really, in America, as a combination of jazz and operetta; most of the great musical theater writers in the golden era are American. I think that to do a musical is a very American thing to me.
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