A Quote by Ciaran Hinds

I'm looking forward to locking swords with Douglas Henshall and working against the stunning backdrop of Shetland. I came to Scotland a lot in the '70s and '80s in various theatre productions and of course to film Hallam Foe but this is the furthest I've ever been.
I feel excited about my new home in F1. I am looking forward to working here and of course I am especially looking forward to driving the car for the first time.
Maybe six months out of drama school, I was working at the Dundee Rep Theatre, I worked there for about a year, and I had an audition for the National Theatre of Scotland. I went into the audition room and when I came out I realized my fly was undone. I did this whole dramatic speech with my fly hanging low.
My wife, Caroline Spector, and I pitched some comic ideas to various publishers back in the '80s, but nothing ever came of it.
I think that what we want to do as we continue to move forward is look at the various points that have been made.We`re looking forward to the appointment of a monitor so that we can continue to do some of the things that we`ve been doing.
Well, if there is a spectrum between ethnic and civic forms of nationalism, which is a rather schematic way of looking at it, all nationalism contains elements of both, but Scotland is very far on the civic end of the spectrum. That is partly because nobody has ever been stupid enough to say that Scotland is an ethnicity in a genetic sense. A kingdom of Scotland existed long before anybody talked of a Scottish people. So that is one thing we have been spared.
Before I worked on film, I studied the theatre, and I expected that I would spend my whole career in theatre. Gradually, I started writing for the cinema. However, I feel grateful towards the theatre. I love working with spectators, and I love this experience with the theatre, and I like theatre culture.
Up in the north of Scotland, a lot of the villages are completely Viking names. A lot of Vikings came down and settled in Scotland and in Ireland. And a lot of them didn't, but they took plenty of us with them - mostly the chicks.
I've never been overexposed or in people's faces, although there are some who argue that in the late '70s and early '80s, I was played a lot!
When I was at the Royal Ballet School, I remember receiving my first eyeshadow palette from Marks & Spencer as a gift. It sparked my interest in beauty, which peaked when I became more involved in theatre and got to experience so many stunning image transformations to suit different productions.
I'm looking forward to playing against Sidney Crosby as much as I am looking forward to playing against all of the other players in the NHL. And there is no rivalry.
I don't have a preference between theatre and film; I like to do both. But I will say that there's something about theatre that is more nourishing and sustaining than film ever can be.
i know he's been looking forward to this--and i know that i've been looking forward to this. but now i have to stop looking forward and start looking at where i am. it's hard.
In the recording process I do listen to other artists a lot and other albums and albums I am loving lately, or ones that I still love that came out in the 80s or 70s.
My phrase has always been that I am looking for the versatility of theatre in film. I think I have been quite lucky in that so far.
In the '70s and '80s, there was a definite set of roles in a film. There would be a hero, a heroine and a villain.
My memory of 3D movies is Fernando Lamas in a swashbuckling movie. And I suppose it had been the fifties, in which swords came out at you, bullets came out at you, things were thrown into the auditorium, apparently. All that sort of cheap, "Oh, look at us, we've got 3D" isn't in the film.
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