A Quote by Ciaran Hinds
I know I don't go looking for directors. I always wonder why they chose me.
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I always tell clients you have to be able to remember why you chose to do a movie: to always be able to look at a movie and know, whether it's good or bad, why you chose to do it.
I chose not to put a wig on. The reason why I chose to come out with the cancer thing is because there's somebody out there who can see that all sickness isn't unto death. That it's something you can't change at that point in time, so you just got to go with it. Don't be ashamed. Don't be ashamed of looking at yourself.
One of the things my mom used to do - I don't know why she chose me, but she chose me out of her six children to take to the African-American church that was in the town that we lived in Springfield, Missouri. And we would go to the church, and we would sit in the back row, and we would listen to all of the spirituals in the hymns.
I know I don't go looking for directors.
I think I know why you never married, Sarah." "Well, and I reckoned if I wanted something that'd come and go as he pleased, take me for granted, and ignore me when he chose, I'd get a cat. And if I wanted something I'd always have to be picking up after, getting into trouble, but slavishly devoted, I'd get a dog.
Why would I go looking for someone I know wants to kill me?
I like looking at the finger of God. Why it takes one and not another, why this one or that one, why now or why then. The finger of God is always on us. When you get older and you see your friends dying around you, you say "Why not me?" That machine is always there.
I'm not a nosy person, but I'm always thinking 'I wonder why he did that? I wonder why this week he was this much better than last week?' I'm always wanting to ask questions of people. I think my advice would be get involved locally and see where it takes you.
Most directors, I discovered, need to be convinced that the screenplay they're going to direct has something to do with them. And this is a tricky thing if you write screenplays where women have parts that are equal to or greater than the male part. And I thought, 'Why am I out there looking for directors?'—because you look at a list of directors, it's all boys. It certainly was when I started as a screenwriter. So I thought, 'I'm just gonna become a director and that'll make it easier.'
I'm a big believer in doing things that make you uncomfortable. So, we live in a world where we want to be as comfortable as we can. And we wonder why we have no growth. We wonder why - when the smallest thing in our life gets difficult - we wonder why we cower and we run away.
I go where the material is, and I feel like I'm looking for really strong directors. That's the key ingredient. There are some directors I would move the sun and earth for, or stop the rotation of the planets, just to work with them.
I remember my dad asking me one time, and it's something that has always stuck with me: 'Why not you, Russ?' You know, why not me? Why not me in the Super Bowl? So in speaking to our football team earlier in the year, I said, 'Why not us? Why can't we be there?'
I confess I do not know why, but looking at the stars always makes me dream.
I'm no longer a child and I still want to be, to live with the pirates. Because I want to live forever in wonder. The difference between me as a child and me as an adult is this and only this: when I was a child, I longed to travel into, to live in wonder. Now, I know, as much as I can know anything, that to travel into wonder is to be wonder. So it matters little whether I travel by plane, by rowboat, or by book. Or, by dream. I do not see, for there is no I to see. That is what the pirates know. There is only seeing and, in order to go to see, one must be a pirate.
I was always restless, always a roving spirit. When I was a little child I was always running away. I never got very far, but they were always having to come and fetch me. Once when I was about six, my father came to get me somewhere I'd gone, and he told me later he'd asked me, "Why are you so restless? Why can't you stay here with us?" and I said to him, "I want to go and see the world. I want to know the world like the palm of my hand.
I had fewer female clients. I don't know why. It was always the men who chose me. And the ones whose secrets I had to hold. I represented Sophia Loren. She was jailed in Caserta for 17 days.
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