A Quote by Ciaran Hinds

In good comedy, the structure comes from truth and that weird eye that looks at the way life is. — © Ciaran Hinds
In good comedy, the structure comes from truth and that weird eye that looks at the way life is.
There's a lot of comedy in being the outsider. You can say, 'That's weird. Why do you do it that way? That's foreign to me. That's pretty weird.'
I think that comedy is a good defense for a child. Because you know childhood is a nightmare as it is. And so why not use comedy and being funny as a defense to get through your life as opposed to drugs, alcohol and good looks? Because those things are dangerous when your young.
The bathroom mirror has not budged, the woman who lives there can tell the truth from the stuff they say and looks me in the eye- says do you prefer the easy way? No? Well ok then, dont cry.
There have been a number of philosophers who have reveled in the dismantling of truth. I think they did so with good ethical motives, and for good philosophical reasons. I can see the sense in what they were talking about; the idea that truth is often claimed by elites in order to further certain agendas. They crowd-out alternative perspectives - particularly those of the powerless. But the undermining of truth contributed - in the weird, indirect way that philosophy contributes to the culture - to a rejection of the idea of truth as having any kind of proper meaning at all.
With the one eye that is closed, one looks within, with the other eye that is open, one looks without.
It was weird being a kid in the Midlands where outside everybody is white and speaks in a certain way but when you go home nobody speaks that way and everybody looks like you. Every day was this weird threshold crossing.
One of my first observations about New York that I was so fascinated with was that you'd be at a stoplight and you're with everybody; there's a homeless dude and some weird celebrity and a cop and someone who looks exactly like you. You're on foot and everyone is at street level and eye-to-eye. I think that's what's special about New York, because there's no hierarchy, there's no discrimination.
There are a couple of things I want to impart to ladies who want to be in comedy: One, you don’t have to be weird or be quirky to get your job done. And two, comedy skill is not sexually transmittable. You do not have to sleep with a comedian to learn what you’re doing. Male comedians will not like that advice, but it is the truth.
I'm legally blind in one eye, and one eye is a totally different size than the other, and I have, like, a weird crossed-eye thing.
One eye looks within, the other eye looks without.
I think 'weird' is an interesting way to say 'unique.' It has a strange connotation, but weird is good. If you embrace your weirdness, you'll be on the way to becoming who you are.
I have always felt comedy and tragedy are roommates. If you look up comedy and tragedy, you will find a very old picture of two masks. One mask is tragedy. It looks like it's crying. The other mask is comedy. It looks like it's laughing. Nowadays, we would say, 'How tasteless and insensitive. A comedy mask is laughing at a tragedy mask.'
I have always felt comedy and tragedy are roommates. If you look up comedy and tragedy, you will find a very old picture of two masks. One mask is tragedy. It looks like its crying. The other mask is comedy. It looks like its laughing. Nowadays, we would say, How tasteless and insensitive. A comedy mask is laughing at a tragedy mask.
I would say I've actually done a lot more comedy than I've done drama. It's weird the way that worked out, because when I came out of theater school I took myself way too seriously, so it's kind of ironic that I ended up sort of going down the comedy path.
The first thing you do before you take a swing with a driver is put it down and see how it looks to your eye. If you don't like how it looks, it's going to be difficult to hit a good shot.
I always think a good sports movie is emblematic in the same way that a great Greek tragedy really has a certain kind of structure, or a Shakespearean play if you're looking at a comedy or a tragedy, is that these are the heights and depths of human emotion.
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