A Quote by Claes Oldenburg
A life cycle can be imposed on an object. An object can be very energetic and active, and then it has a dying phase and a phase of decomposition.
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A life is such a strange object, at one moment translucent, at another utterly opaque, an object I make with my own hands, an object imposed on me, an object for which the world provides the raw material and then steals it from me again, pulverized by events, scattered, broken, scored yet retaining its unity; how heavy it is and how inconsistent: this contradiction breeds many misunderstandings.
This is my year of transition from what I'm calling the second phase of my life to the third phase of my life. And I wanted to pass it along. What I mean by that is, in the first days of your life you're dependent on others and you learn. You're basically a kid, depending on your parents. In the second phase of your life, you're working and others are dependent on you and you're trying to be successful. And then when you go to the third phase of your life it's no longer as much of a kick to be successful. There's a natural, instinctual desire to help other people be successful.
But if a peaceful world is beyond politics it is also beyond religions as these presently exist. A change is needed in every phase of human life. This lies mainly in recognition that the micro phase, the particular or national traditions, must find their context and fulfillment in the macro phase, the global or panhuman phase of human existence.
I definitely divide my life into decades. Almost every ten years, something in my work life has changed. My twenties were my journalistic phase, then there was my screenwriting phase, then I became a director, then I started doing some plays.
Be active, be energetic, be enthusiastic and you will accomplish your object.
The root of creativity is found in the need to repair the good object destroyed during the depressive phase.
When I work there are two distinct phases: the phase of pushing the work along, getting something to happen, where all the input comes from me, and phase two, where things start to combine in a way that wasn't expected or predicted by what I supplied. Once phase two begins everything is okay, because then the work starts to dictate its own terms. It starts to get an identity which demands certain future moves. But during the first phase you often find that you come to a full stop.
Loneliness is always there, it's a phase that comes and goes and it is a very difficult phase.
I think, for every phase of your life, you take something out of it, you learn from it, you grow from it. You just have to try to take what you can from it and then move on to the next phase of your life to be better.
The first phase of social media was listening to the conversation. The second phase was joining the conversation. The third phase will be hosting the conversation on your site.
Everyone likes to stereotype things or write them off as not that serious or "this is just a phase," especially when you're that young. The music was never a phase, but the wardrobe was certainly a phase, so I think that may have overshadowed the music in the beginning, for sure. I was so outrageous.
When you're bringing an idea to fruition, there are two distinct phases: the skeptic phase and the evangelist phase. During the first phase, you have to be willing to ask the hardest questions - is this idea worth pursuing? But once you are convinced, you flip a switch. It's about getting it done.
Perhaps, you know, new laws, new domains of potential openness are occurring as the universe ages, and complexity previously disallowed is now possible, and we are that complexity. We are nature moving out of its genetic phase - a phase under the control of chemical genes, which are physical structures, in to an epigenetic phase, a phase of culture ruled by codes, transformable culturally confined codes - mathematics, religion, philosophy, art, dance, humor.
I went through a gothic phase at one point. All black: black lipstick, purple lipstick. It was very weird, and then I went through a phase where I wore shoes with no less than a three-inch platform.
When I'm in a songwriting phase, it's a phase. I don't just suddenly feel inspired and then write a song, because I always write with a co-writer.
Fear, as opposed to anxiety, has a definite object, which can be faced, analyzed, attacked, endured... anxiety has no object, or rather, in a paradoxical phrase, its object is the negation of every object.
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