A Quote by Claire Messud
Sometimes I think about all the hours spent making lunches, carting kids from one place to another, being up in the middle of the night taking temperatures. People who haven't had to do that have, say, read every last book up there from cover to cover and probably remember it. There are trade-offs. But more life is more life.
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My father had nine children, and when I had my first, he said, 'None of my kids got up in the middle of the night.' And I remember thinking, 'You didn't get up in the middle of the night! Every kid gets up in the middle of the night!'
On their deathbed, do people think: 'I wish I'd spent more time with my Ferrari'? Or do they say: 'I wish I'd spent more time watching my kids grow up, I wish I'd spent more time country walking?' It's about the things that matter in life, and how we have an economy that better reflects that.
What people don't understand about making a film is sometimes your experience on the film shapes who you are. You're gone to another country for five months, maybe more, there's training leading up to it... It's a whole life experience that people don't see because they just see the final product wrapped up in a couple hours. You don't see everything that happens around it. I think it's hard to say one movie or one thing; I think they all shape who you are.
I read this book when I was young. It's about a black girl growing up in Heaven, Ohio. The cover has a black girl with clouds behind her. It was the first book cover I ever saw with a girl that looked like me.
You've got all these parents who are projecting their pathologies of fear onto their kids and those kids are understandably messed up. Tragedies happen and that you have to allow kids to experience their own fear and guilt and sorrow. It's the cover-up that really screws people over. Unfortunately, America specializes in cover-ups.
Sometimes I read the same books over and over and over. What's great about books is that the stuff inside doesn't change. People say you can't judge a book by its cover but that's not true because it says right on the cover what's inside. And no matter how many times you read that book the words and pictures don't change. You can open and close books a million times and they stay the same. They look the same. They say the same words. The charts and pictures are the same colors. Books are not like people. Books are safe.
My job is to cover the hell out of the story, very aggressively. The real place to be courageous if you're a news organization is where you put your people to cover the story. It's making sure that you have people going to Baghdad. It's making sure that you figure out how to cover the war in Afghanistan. While the journalist in me completely stands with them, the editor of the New York Times in me thinks my job is to figure out what the hell happened and cover the hell out of it, and that's more important than some symbolic drawing on the front page.
There is no night life in Spain. They stay up late but they get up late. That is not night life. That is delaying the day. Night life is when you get up with a hangover in the morning. Night life is when everybody says what the hell and you do not remember who paid the bill. Night life goes round and round and you look at the wall to make it stop. Night life comes out of a bottle and goes into a jar. If you think how much are the drinks it is not night life.
I used to want covers that represented the book's contents very closely and were also pretty. Many folks automatically believe that this is what makes a good cover. But I've changed my mind about this. While the cover should not lie (by implication or outright), its job is simply to say: 'Pick me up!' to someone who might like the book.
I couldn’t remember the last time I had stayed up into the squeaky hours of the night because I couldn’t put a book down, and that was a tragedy.
Sometimes people look at our covers and say, "That looks just like that other cover." I say, "And?" It reminds them of a cover from way back when. If you know the cover, then pull it out and compare it. I don't care. It's supposed to bring back memories.
I try to make time for reading each night. In addition to the usual newspapers and magazines, I make it a priority to read at least one newsweekly from cover to cover. If I were to read what intrigues me- say, the science and business sections - then I would finish the magazine the same person I was when I started. So I read it all.
My father claimed I could read before I went to school. I sucked up knowledge and read the Children's Britannica Encyclopaedia from cover to cover when I was eight.
If your reading habits are anything like mine, then you can remember the exact moment that certain books came into your life. You remember where you were standing and whom you were with. You remember the feel of the book in your hands and the cover, that exact cover, even if the art has changed over the years.
I did some reading to prep for Expelled. I read one book cover to cover, From Darwin to Hitler , and that was a very interesting book - one of these rare books I wish had been even longer. It's about how Darwin 's theory - supposedly concocted by this mild-mannered saintly man, with a flowing white beard like Santa Claus - led to the murder of millions of innocent people.
When I was 10 years old, I loved - I loved books, and I used to haunt the secondhand bookshop. And I found a little book I could just afford, and I bought it, and I took it home. And I climbed up my favorite tree, and I read that book from cover to cover. And that was Tarzan of the Apes. I immediately fell in love with Tarzan.
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