A Quote by Clayton James Cubitt

I confess to getting quickly bored by one style of expression, and I like to experiment with all different sorts of modes. I rebel against familiar tools. — © Clayton James Cubitt
I confess to getting quickly bored by one style of expression, and I like to experiment with all different sorts of modes. I rebel against familiar tools.
I'm 19, I'm a girl, I'm very young, I like all sorts of different things, I like all sorts of different styles of music, I like all sorts of different styles of clothes, I like all sorts of different colors of hair.
I was not familiar with the Internet thing. Honestly, you know with all kinds of Internet media, I was not that familiar. I was not that kind of guy. Accidentally, 'Gangnam Style' happened, and you have YouTube and all other sorts of stuff like Facebook and Twitter and so on. So after that, I learned and learned.
My rebellion was telling my dad, "No, you're wrong, you don't know what's best for me. I'm not gonna waste my time in college." You know the story. He thought he was an abject failure 'cause he didn't convince me to go to college. I didn't rebel against my dad's economic status. I didn't rebel against what I thought were old-fashioned, archaic moral values. I didn't rebel by going out and wrecking the car and getting drunk and being irresponsible. I rebelled against their assumption they knew better than I did, what I wanted, and what I needed.
I try not to limit myself. The actors that inspire me are the comedians and the people able to shape-shift into different roles and into different media. That ensures your longevity as an artist and prevents you from getting bored with yourself and, hopefully, prevents people from getting bored with you.
I really wasn't very much of a rebel. I'm seen by people now as more of a rebel which is strange. I don't like doing what people tell me to do. I don't deliberately rebel against them.
Just like an ordinary guitar string, a fundamental string can vibrate in different modes. And it is these different modes of vibration of the string that are understood in string theory as being the different elementary particles.
I'm a bit of a chameleon. My style changes depending on my mood, as I get bored really quickly.
Rebel, rebel, you've torn your dress. Rebel, rebel, your face is a mess. Rebel, rebel, how could they know? Hot tramp, I love you so.
You don't have to burn books, you don't have to rebel against teachers to rebel; to rebel is to truly own your own self.
Im still getting more familiar with the plays and different things, but I think that will come along with getting more experience and getting to know the guys better.
It's hard to reconcile my personal beliefs with an entire institution like the Church or the Republicans. Or with people within those political persuasions who have such different ideologies but confess the same things I confess spiritually.
Marie Calloway has a very specific literary personality that the reader is intrigued by: she's masochistic, loves to experiment, is quickly bored and intermittently self-hating, very hip, rebellious. Figuring her out is a gripping adventure.
I was between 14 and 15, when I went through my angsty period. I was never very rebellious. I never did things to rebel against society, or against my parents, but I did think I knew everything. Then, one day, I woke up and realized I was a dot in this universe, and that quickly dissipated.
I don't like to stick to one formula. That gets boring. I get bored, so I want to try different ways of getting inside something.
The idea of the paranoid style as a force in politics would have little contemporary relevance or historical value if it were applied only to men with profoundly disturbed minds. It is the use of paranoid modes of expression by more or less normal people that makes the phenomenon significant.
Music is changing so quickly, and the landscape of the music industry itself is changing so quickly, that everything new, like Spotify, all feels to me a bit like a grand experiment.
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