A Quote by Clifton Fadiman

We prefer to think that the absence of inverted commas guarantees the originality of a thought, whereas it may be merely that the utterer has forgotten its source. — © Clifton Fadiman
We prefer to think that the absence of inverted commas guarantees the originality of a thought, whereas it may be merely that the utterer has forgotten its source.
I think the source of our sorrow and the source of our joy are intimately entwined. Our sorrow is that we have forgotten who we are, we have forgotten we are one with that source of all life - absolutely indestructible, perfect, joyful. The source of our joy is when we remember that.
In fact, I didn't realize I was 'unattractive' - in inverted commas - until I started acting. It was, 'Oh no, you're not right for the part - we're looking for a pretty girl.'
I had my first screen-acting class in March 2015, and I was, like, 18, turning 19, so it's a risk trying to get into acting when you're that 'old,' in inverted commas.
I have put [the word] "discoveries" in inverted commas because scientific results, perhaps as much at least as artistic achievements, are a product of contemporary taste, driven by momentary appetites rather than eternal verities.
Onstage it was always comfortable for me because that's where I felt at home. Offstage it was a different situation. I was still shy offstage and unfortunately, my shyness and my inability to communicate and really have great conversations or be part of the gang - in inverted commas - led me to the drug addiction, which, you know, blighted my life for 16 years because I thought by doing that it would make me join in.
Darkness is the absence of light. Happiness is the absence of pain. Anger is the absence of joy. Jealousy is the absence of confidence. Love is the absence of doubt. Hate is the absence of peace. Fear is the absence of faith. Life is the absence of death.
Darkness is merely the absence of light, and fear is merely the absence of love. If we want to be rid of fear, we cannot fight it but must replace it with love.
I have slight attention-span issues, so I will often wander off, and then I will be alerted - in inverted commas - when the smoke alarm goes off. So that's how I work out if a bake is finished.
There is a notion that complete impartiality is the most fitting and indeed the normal disposition for true exegesis , because it guarantees complete absence of prejudice. For a short time, around 1910, this idea threatened to achieve almost a canonical status in Protestant theology. But now, we can quite calmly describe it as merely comical.
Wherever you are, whatever your circumstances may be, you are not forgotten. No matter how dark your days may seem, no matter how insignificant you may feel, no matter how overshadowed you think you may be, your Heavenly Father has not forgotten you. In fact, He loves you with an infinite love.
What seems natural to us is probably just something familiar in a long tradition that has forgotten the unfamiliar source from which it arose. And yet this unfamiliar source once struck man as strange and caused him to think and to wonder.
Originality is another criterion of aesthetic value. We may formulate an originality principle, according to which highly valuable works of art provide hitherto unavailable insights.... Notice that, although originality is a necessary condition of high aesthetic value, it is far from a sufficient condition. Many original works have little or no aesthetic value. An artwork may present a novel but uninteresting perspective, or one that is original but wrong.
What is the source of all this trouble? I'm saying that the source is basically in thought. Many people would think that such a statement is crazy, because thought is the one thing we have with which to solve our problems. That's part of our tradition.
When you are alone - at sea, in the polar dark - an absence can keep you alive. The one you love maintains your mind. But when she's merely across the city, this is an absence that eats you to the bone.
A biography is considered complete if it merely accounts for six or seven selves, whereas a person may well have as many as a thousand.
The novelist, unlike many of his colleagues, makes up a number of word-masses roughly describing himself (roughly: niceties shallcome later), gives them names and sex, assigns them plausible gestures, and causes them to speak by the use of inverted commas, and perhaps to behave consistently.
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