A Quote by Clifton Fadiman

Books act like a developing fluid on film. That is, they bring into consciousness what you didn’t know you knew. — © Clifton Fadiman
Books act like a developing fluid on film. That is, they bring into consciousness what you didn’t know you knew.
If somebody can act out one of the books as a play, if they can see a play, film, or television show that's related, that can be so stimulating for them. Anything that makes children engage and think - and love what the story is about - can only bring the most enormous rewards.
It's quite interesting, looking back at the first one [film about Harry Potter], nobody knew whether or not it was going to be successful as a film. The books were of course already very successful, but that's happened before, where the books were successful and the films weren't at all. But it turned out that they were.
In man, social intercourse has centred mainly on the process of absorbing fluid into the organism, but in the domestic dog and to a lesser extent among all wild canine species, the act charged with most social significance is the excretion of fluid.
The whole point of this game is that everything flows together in one simple movement... it should just flow and be fluid. And that's what I want to bring to the table every single time I fight. And I enjoy making it look, you know, like an art.
No one forces me, or any other writer, to sell a film option on the books. If you don't want to run the risk that the filmmakers may adapt your work in a way you don't like, then you don't sell the option. You know when you sell it that they will have to make some changes, just because film and TV are different media than books.
Charting is a little like surfing. You dont have to know a lot about the physics of tides, resonance, and fluid dynamics in order to catch a good wave. You just have to be able to sense when its happening and then have the drive to act at the right time.
A few of my books, over the years, have been optioned for film. The subject matter of my books, however, is not exactly conducive to Hollywood film treatment. If and when a 'big-budget' film is ever made based on one of my books, my fans and I will more than likely loathe it because it won't be true to its source. That's almost a given.
I will say that comic books are not the easiest things to translate to film, number one. Even the most well meaning of filmmakers find what's acceptable on the printed page is very difficult to bring to film.
Anyone who dares to speak about an aether is regarded as an ignorant and backward mind and he can only lose his credibility in scientific circles, although in reality those who criticize him use the same concept of intermediate medium in other words, whether it be fields, an associated fluid, a probability fluid, a pilot fluid, a quantum fluid, etc.
I started acting when I was really young. I knew I wanted to be in the industry in other ways. I knew that I wanted to do more than just act. I don't know that I knew it was screenwriting, but I just knew that I wanted to be involved.
I started as a playwright. Any sort of scriptwriting you do helps you hone your story. You have the same demands of creating a plot, developing relatable characters and keeping your audience invested in your story. My books are basically structured like three-act plays.
For me, consciousness is the most interesting unsolved problem of science, and, in fact, we may never know what it is about a particular arrangement of neurons that gives rise to consciousness. Our consciousness, like the air we breathe or like the passage of time, is central to our existence as intelligent beings.
Consciousness is anything you define it as. I tell people instead of waiting, just take any definition that you like, and use that, and run with it! So I don't think the issue is that we don't know what consciousness is. The issue is we don't have a consensus on what consciousness is. Far from it.
The cell is immortal. It is merely the fluid in which it floats that degenerates. Renew this fluid at regular intervals, give the cells what they require for nutrition, and as far as we know, the pulsation of life can go on forever.
In our view any awareness is an increment to consciousness, an added light, a reinforcement of psychic coherence. Its swiftness or instantaneity can hide this growth from us. But there is a growth of being in every instance of awareness. Consciousness is in itself an act, the human act.
The stupidest thing she knew was for people to act like they knew all about the things they knew absolutely nothing about.
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