I love dressing up. I like going out and buying some crazy stuff. I like stuff that's new, innovative and weird. I just pick out stuff that is unique and anything that I'm really diggin'. I don't really care if it's kind of out there. That's what I'm about. I like picking stuff that is really different.
You're really spread out now, you've got stuff all over the WORLD! You've got stuff at home, stuff in storage, stuff in Honolulu, stuff in Maui, stuff in your pockets...supply lines are getting longer and harder to maintain.
I just write stuff down and pile it up, and when I get enough stuff, I spread it out and look at it and figure out how to use it.
If I'm listening to country, it's Hank Williams, George Jones, Merle Haggard and stuff like that. If people out there don't take that stuff seriously, well, they just haven't listened to it and don't know what they're talking about.
People go back to the stuff that doesn't cost a lot of money and the stuff that you don't have to hand money to over and over again. Stuff that you get for free, stuff that your older brother gives you, stuff that you can get out of the local library.
I try to go out for everything. I go out for any acting stuff that comes up, and voice-over stuff.
There's a lot of superhero stuff out there and a lot of cop stuff out there. What we have very little of anymore is adventure.
A lot of the stuff I was on 'All Stars,' it wasn't new, it was all stuff out of my closet and stuff that I made myself.
To me everyone goes through that at some point in adolescence, you know. There's - you meet someone when you're a young teenager, and they're never right for you, and you always wind up hurting someone on the way to figuring out all this stuff. But it was a fun writing process.
When we first put 'Let It Be' out, I had to cut out a lot of stuff that I really like and wanted to stay in there. The stuff in the new DVD has a lot of the stuff that had to be cut out. So for me, it's like the egg is now complete.
I had a lot of different jobs between fifteen and nineteen. I'd moved out of my house way, way younger than I should have. So I was living out on my own with my brother when I'd just turned sixteen. I did busboy stuff, and worked in warehouses, and did odd jobs, and stuff. I earned me some Pesos.
A lot of what we do in the studio on a day-to-day basis is you try to cast a line as far out as you can out into unknown waters and reel it back in, cut out stuff that isn't working, cut out stuff that isn't connecting to people.
My ears are open to all sorts of stuff. I appreciate some of the big electro house guys.I love their music but I also like a lot of the stuff coming out of the U.K. Future garage stuff. A lot of stuff like that.
A lot of people get flipped out if you're quiet. They say stuff like, What are you thinking? And if they don't start interrogating you, they start talking, going on and on about stuff that's totally irrelevant, and the silence gets so big and loud that it's scary.
I don't think you can figure this stuff out. If you could figure all this stuff out, then all the great filmmakers would come out of Yale and Harvard. It's not an intellectual process.
I love getting the pontoon boat out, and I don't get to do it as much anymore. If I know in two weeks or a month from now I've got three days off, I can start planning for that stuff, getting out there with friends and family and relaxing, just floating around and hanging out.