A Quote by Cobie Smulders

I'd love to shoot something in Toronto; I'd love to bring something to Canada. I'm dying to shoot something in Vancouver where I'm from. — © Cobie Smulders
I'd love to shoot something in Toronto; I'd love to bring something to Canada. I'm dying to shoot something in Vancouver where I'm from.
I'm from Vancouver and friends of mine will shoot something up in Vancouver and they'll be like, 'Ugh.' They've never been to Vancouver and they're like, 'They got me stuck in Vancouver for three months.' I'm like, 'No, you're being set free. It's one of the most livable cities in the entire world.'
I love that you can shoot something on your phone, or shoot something on these small Cannon cameras, and edit it overnight and get it out there the next day and potentially go viral. And that's huge. It really takes the middle-man out. It allows anybody to become a content creator.
I usually bring a point and shoot with me so I can go out on the weekends and shoot a bit. I used to bring more cameras, but I'm also an Ebay nut so sometimes I'll order something if I'm really pining for it when I'm on location.
Usually, I have in mind what I want to do. I shoot pretty economically, so I'm not shooting tons of stuff that I could change, all that much. I'll cut something or add a little something back, but not too much. This is maybe the producer part of me, but I'm always worried about the budget, so I shoot what I know I need to shoot for the film.
If you shoot for the stars and hit the moon, it's OK. But you've got to shoot for something. A lot of people don't even shoot.
A majority of my YouTube friends I've made because I made a trip down to California and literally tweeted them saying, 'Hey! Come over - let's shoot something!' And then two strangers will just meet up, talk, and shoot something.
So something I've felt I've learned with The Cosmopolitans shoot is using some agility and changing things quickly. That's something I found really useful on this shoot too. The gestation of The Cosmopolitans and this are slightly different from my other films. The script would be done and I'd be cutting it, but I wasn't always writing new material.
The impression is that love is something that happens to you like magic. That love is something others do for you, but that you cannot do for yourself. Love is not something you wait for. Love doesn't just happen. Love is something you do. When you want love, give love. Moment to moment, you make the choice whether to give love and be loved.
When I am shooting a film I never think of how I want to shoot something; I simply shoot it.
The winds that sometimes take something we love, are the same that bring us something we learn to love. Therefore we should not cry about something that was taken from us, but, yes, love what we have been given. Because what is really ours is never gone forever.
She looks like the type that might freak out. It's something in the eyes, Frannie. It says if you shoot my sacred cows, I'll shoot yours.
I love doing fiction. I love doing performance films and I love doing documentaries that don't have music. I love to shoot and I love to shoot things I'm enthusiastic about.
I love good TV shows, but it's not what I do. I kind of sculpt my films as I go along. And TV is all about writing, so you just shoot, shoot, shoot what's written.
I'll always love movies. But there's something I love very much about TV, when you shoot episodes while other episodes are still being written.
I love the digital camera because it makes shooting easier and economical. I shoot fast, and I can shoot a lot. I shoot rehearsal; I just keep on shooting nonstop.
I shoot a lot of video, first of all, whatever I think is interesting, just my travels; hard to say why. If something looks good, I take a picture or try to shoot it.
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