A Quote by Colin Callender

If the play works in an emotional and engaging way purely from what's on the page, then what's on the stage will be the icing on the cake. If the play didn't work as a play on its own terms, none of the magic, none of the special effects or theatricality of it all, would add up to anything.
The main prank that we play with props is for people's birthdays. The special effects people will put a little explosive in the cake so it blows up in their face - that's always fun to play on a guest star, or one of the trainees or someone who's new.
I'm going to go out and play really hard. If I have another win, it will be icing on the cake. But I don't take anything for granted.
Whatever part drink may play in the writer's life, it must play none in his or her work.
My work is play. And I play when I design. I even looked it up in the dictionary, to make sure that I actually do that, and the definition of “play,” number one, was “engaging in a childlike activity or endeavor,” and number two was “gambling.” And I realize I do both when I’m designing.
Every player, they should sit down and have a meeting. They should agree, 'this is how we play Nadal, this is how we play Federer, this is how we play Djokovic.' Then, all try to play them the same way. The right way. First you have to play the right way, then you need to play well.
In using the terms play and playfulness, I do not intend to suggest any lack of seriousness; quite the contrary. Anyone who has watched children, or adults, at play will recognize that there is no contradiction between play and seriousness, and that some forms of play induce a measure of grave concentration not so readily called forth by work.
I just love cake, confetti cake, to be specific. It has little colored candies inside the cake, and then you get the confetti icing, which is really hard to find sometimes. It's really hard to explain to people, because it's not icing with sprinkles on top. It's icing that actually has candies inside of it. It's Funfetti icing.
Improvisation is a great mystery. You play something, and you play an answer to it. Then you play something to wrap it up. Nothing is going through your mind; you're not thinking of anything. Every now and then you surprise yourself. Where did that come from?
I am convinced that you should always play the way you want to play and success will then come on its own - as long as it's a good philosophy.
If 'Passage' works, then maybe they will ask me to play James Bond; if not, then I will play the villain.
I told her that I can't be doing with the Wonder part of these trips, but she said it should be the icing on the cake... I've never liked wedding cake due to the amount of icing, but then imagine a wedding cake without it; just a dark, stodgy, horrible dry sponge. The icing covers up the mess, and that's how I feel about most of the Wonders. They use them to get people to visit a place that you probably wouldn't think about visiting.
In my opinion, the only way to conquer stage fright is to get up on stage and play. Every time you play another show, it gets better and better.
I could play a cop, I could play a crook, I could play a lawyer, I could play a dentist, I could play an art critic-I could play the guy next door. I am the guy next door. I could play Catholic, Jewish, Protestant. As a matter of fact, when I did The Odd Couple, I would do it a different way each night. On Monday I'd be Jewish, Tuesday Italian, Wednesday Irish-German-and I would mix them up. I did that to amuse myself, and it always worked.
I would never have wanted to play with Magic Johnson, I would never have wanted to play with Michael Jordan, I would never have wanted to play with Karl Malone or John Stockton in my prime. We wanted to play against the Shaqs, the Kobes.
When the author walks on the stage the play is over. God is going to invade, all right...something so beautiful to some of us and so terrible to others that none of us will have any choice left? For this time it will be God without disguise...it will be too late then to choose your side. There is no use saying you choose to lie down when it has become impossible to stand up.
All our pride is but a jest. None are worst and none are best. Grief and hope and joy and fear Play their pageant everywhere.
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