A Quote by Connor McDavid
I definitely believe in myself. And I don't need to show that on the outside. I just don't feel like I need to tell people how I feel about myself. I know my skills and I know what I'm comfortable in, and I keep it to myself.
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My therapist told me I need to learn to love myself. It sounds easy enough, but really, how do you just wake up one day and learn that? It feels like something you should just do involuntarily, like swallowing or blinking, but now I have to work on it. It feels so forced. I mean, I know I went to a good school, and people tell me I'm smart and creative, but I don't KNOW that. I don't know how to make myself feel that.
Some writers are writing one great, big book and just taking all these different avenues towards it. They might seem on the outside to be different, but they're really not. And that's a different kind of mindset. I don't know why it is, but I just feel like I really want to escape myself as much as I can - myself as the artist, or as the writer, or as the thinker - with each new project, because one, it's just boredom, but also, I guess I just feel most comfortable starting a new book if I just feel a little in the dark about it.
I don't look at myself on the outside. Sometimes you feel like you're not really there and need one more [take], because I feel like something is coming out. I don't really know what but I need to get it out.
I always feel like I don't know how to express myself. I need to be with people that understand my language.
I don't really see myself that way, as some typical sexy young ingénue. I've never been that way. And, for a while, there was a disconnect between who I am and how I present myself on a public platform. That was because I didn't necessarily feel comfortable sharing that much of myself with other people who I didn't know.
I need to learn how to stop destroying myself, stop being hard on myself and be nice to myself. I need to keep telling myself that I need to keep wanting something, something nice, something warm[so] I can make other people happy. I can understand other people's pain because I can love even after all that is left of me is gone because I have that strength.
I respect country music because I feel like it's more about the talent and the songwriting and I put on a big show and we have a lot of stuff, but I feel confident in myself enough as an artist and a singer that I can have all of those fun toys and know that we don't need all the bells and whistles either.
I'm not to the point where I need to shut myself off from people, unless I feel like I need to, but I don't force myself to deal with people.
[Do you know] how it feels to be a clownish character? It's always complicated to imagine conveying yourself outside of your body. Inside myself I feel like this rich, complicated thing, and then I see representations of myself, especially in the media - and I think this is why it's troubling for me, because I feel so caricatured and flattened.
Playing Unique hasn’t changed how I feel about myself, but it has changed how I hold myself. Unique is so confident that I found myself [saying], ‘You need to be the role model that your character intends you to be.’
I may not know the weight of those things, but I could feel the weight of that one, so I kept it to myself. You know that things aren't going well for you when you can't even tell people the simplest fact about your life, just because they'll presume you're asking them to feel sorry for you. I suppose it's why you feel so far away from everyone, in the end; anything you can think of to tell them just ends up making them feel terrible.
What a weird thing smoking is and I can't stop it. I feel cosy, have a sense of well-being when I'm smoking, poisoning myself, killing myself slowly. Not so slowly maybe. I have all kinds of pains I don't want to know about and I know that's what they're from. But when I don't smoke I scarcely feel as if I'm living. I don't feel as if I'm living unless I'm killing myself.
I take it upon myself to get motivated. I know when I have a bad game. It's something I think about myself when it happens, and I don't need someone to tell me I didn't do this or didn't do that.
I know, for me, dance did inspire me. Not just in how I feel but that confidence of being able to hold myself and come into a room and just feel comfortable with my body and how I stand and how you present yourself and just how you wear clothes, even.
What I react against in other people's work, as a filmgoer, is when I see something in a movie that I feel is supposed to make me feel emotional, but I don't believe the filmmaker shares that emotion. They just think the audience will. And I think you can feel that separation. So any time I find myself writing something that I don't really respond to, but I'm telling myself, 'Oh yes, but the audience is going to like this,' then I know I'm on the wrong track and I just throw it out.
I think I'm always adopting a persona. That's how I look at pop music. I don't feel like I have to be myself. I feel like I have to be true to myself, but I don't have to show an exact picture of who I am.
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