A Quote by Constance Baker Motley

Today's white majority is largely silent about the race question. — © Constance Baker Motley
Today's white majority is largely silent about the race question.
I've heard the term ["silent majority"], but for the last 20 years I really haven't heard the term. But I went to a rally in Alabama, and there were 31,000 people there, you've seen it, you've read about it. And I looked and I said, this is the silent majority. Though they weren't silent, because they want to see proper change, not [Barack] Obama change.
I do think that inside of country music now there's a very silent majority, and I represent that silent majority.
This is a movement. This is not Trump. This is not anything. This is a movement. Remember, it is a movement. We used to say silent majority. It`s not a silent majority, it`s really a noisy majority.
Demographically speaking, young white people are not in the majority in this country; they're in the minority. My question is, if they're not the majority anymore, then what happens? How do things change? Or do they change at all?
The question 'Why white kids love hip-hop?' forces us immediately to deal with the historical weight of race in America. On the surface people see hip-hop and race as nothing new. I think the ways young white Americans are engaging hip-hop suggest something more.
'Human history, ' H.G. Wells once wrote, 'becomes more and more a race between education and catastrophe.' You and I cannot be indifferent to the outcome of that race. We care deeply about the winner. Because we do care so deeply about the winner, that is why we are all in the East Room of the White House today.
Donald Trump is actually the voice of the silent majority, and I think he's awoken that silent majority. People are very angry, and the people who are the most angry are actually the legal immigrants who see their jobs fleeing.
My friend Ian Hagemann, a regular at Wiscon, once said on a panel that when he reads science fiction futures that are full of white people and no one else, he wonders when the race war happened that wiped out the majority of the human race, and why the writer hasn’t mentioned such an important plot point.
For me personally, I have vitiligo, so my whole career, it's always been this very odd debate: 'Does she want to be white? Is she white and black? Is her mum white?' It's always been this question of my background, my race, and what I stand for.
White writers in many cases choose not to populate their fiction with people of color. A lot of what I'm doing is trying to write against that, not about race but against the avoidance of race that's such a dominant model in white literary discourse.
Barriers today are largely class-based - income, networks, education. And those affect many white people as well.
The goal of abolishing the white race is on its face so desirable that some may find it hard to believe that it could incur any opposition other than from committed white supremacists... Keep bashing the dead white males, and the live ones, and the females too, until the social construct known as 'the white race' is destroyed - not 'deconstructed' but destroyed.
So many white people don't want to talk about race; it's uncomfortable. Many reason that slavery happened more than a century ago, and people alive today had nothing to do with it. But the particulars of these stories, from slavery to segregation to civil rights and mass incarceration, are at the marrow of life in America today.
Despite what traditional polling places and the media says, a majority of Americans support Donald Trump. A very silent majority.
White fragility! White people are so sensitive about race and racial conversations. I feel like I'm always walking on eggshells when I'm around white people.
If you write about race in 1850, you end up talking about race today because in many ways, so little has changed.
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