I think, sometimes, actors having a holistic view of what they're in can be overrated. Especially when you're playing somebody as narcissistic and self-involved as Ernest Hemingway, it doesn't really matter what else is in the script.
And that's when he finally tells me his name is Ernest. I'm thinking of giving it away, though. Ernest is so dull, and Hemingway? Who wants a Hemingway?
I hadn't read or heard a lot about [Tom] Wolfe until I read this script, and in that way I think it was really clever to write a piece about him instead of Max Perkins,[Ernest] Hemingway, [John] Fitzgerald, or others that people have strong opinions of already.
As Ernest Hemingway wrote, 'Never think that war, no matter how necessary, nor how justified, is not a crime. Ask the infantry and ask the dead...'
Do you think that Hemingway knew he was a writer at twenty years old? No, he did not. Or Fitzgerald, or Wolfe. This is a difficult concept to grasp. Hemingway didn't know he was Ernest Hemingway when he was a young man. Faulkner didn't know he was William Faulkner. But they had to take the first step. They had to call themselves writers. That is the first revolutionary act a writer has to make. It takes courage. But it's necessary
The publishing industry stopped having new ideas out of respect for the untimely death of Ernest Hemingway in 1961 and has been doing everything the same way ever since.
I think, as an actor, and particularly if you are playing the lead in something, you have to view yourself as the head of department for the cast. All of the other departments are accountable and have somebody at the helm who is leading them all the time, and I don't think that the actors should be any different.
We shortchange ourselves by regarding religious faith as a matter of intellectual assent. This is a modern aberration; the traditional Christian view is far more holistic, regarding faith as a whole-body experience. Sometimes it is, as W.H. Auden described it, 'a matter of choosing what is difficult all one's days as if it were easy.
I really believe in a oneness. So if I'm looking at somebody else, it's not in a narcissistic way, but you're kind of seeing yourself.
I remember having to read 'The Old Man and the Sea,' and I didn't want to read it; I didn't want to like Ernest Hemingway. I was being a stubborn teenager.
Every once and a while somebody writes a script, but even regardless of what age you are, most of the actors would all agree that it's all based upon material and the material has got to spark with you. It may be great material but you think it's great material for somebody else. Or it's great material and I'm perfect for it. So, you just have to make that judgment and if you feel in the mood to do it.
I get involved with projects based on three parameters - the script, the actors involved and the director.
Ernest Hemingway was the author I drew inspiration from.
I have always loved and avidly read the novels of Jack London, Jules Verne and Ernest Hemingway. The characters depicted in their books, who are brave and resourceful people embarking on exciting adventures, definitely shaped my inner self and nourished my love for the outdoors.
The best way to find out if you can trust somebody is to trust them.” “Elton John?” “Close. Ernest Hemingway. In his own way, sort of the rock star of his time.
For her everything was red, orange, gold-red from the sun on the closed eyes, and it all was that color, all of it, the filling, the possessing, the having, all of that color, all in a blindness of that color." - Ernest Hemingway.
You have always told me it was Ernest. I have introduced you to every one as Ernest. You answer to the name of Ernest. You look as if your name was Ernest. You are the most earnest-looking person I ever saw in my life. It is perfectly absurd your saying that your name isn't Ernest.