A Quote by Cote de Pablo

I have been working. I've been blessed to have shared a movie in the north of Chile called 'The 33,' with Gabriel Byrne and Juliette Binoche and Antonio Banderas, which is the beautiful story of the miners (trapped underground for 69 days in 2010). And then, this incredible, epic story came my way.
I definitely have a Google obsession of Juliette Binoche. I'm obsessed. I'll read everything she's ever said. I can tell you anything you want to know about Juliette Binoche, or Jack White. Those are my two creepy obsessions.
There's the story, then there's the real story, then there's the story of how the story came to be told. Then there's what you leave out of the story. Which is part of the story too.
The biggest threat to your creativity is the fear that it's already been done, said, created. (So why bother?) Say it, do it, make it anyway - but tell YOUR story along the way. The story of how you came to know what you know. The story of what you want to know more of. The story of why you do what you do. The story of how you came to care. And that's how you create what's never been created before.
The Underground Railroad was a spy network for the North and that story has never been told.
There's an excellent movie we have on TCM called 'It Happened on Fifth Avenue,' which was originally going to be directed by Frank Capra... but just before he was going to start working on it, he came across this story called 'The Greatest Gift.' And that turned into 'It's a Wonderful Life.'
I have a lot of respect and admiration for someone like Cate Blanchett, find Emma Thompson wonderful, Meryl Streep inspiring, Juliette Binoche full of light and Catherine Deneuve incredible.
From its inception by Michael Bennett, 'Dreamgirls' has always been an epic story with an ensemble cast. I didn't change that. The screen version remains, really, a group story.
I'm struggling with what is epic. People decided I was epic - if by epic, do you mean a big, heavy book? 'David Copperfield' is a big book - is it epic? Amount of time covered, length, drama, or story - that's the real appeal - if the story is long you have a better chance of becoming more connected.
It's all about this abstract entity called the story. It's all about the best way to tell the story, and to make a movie about the issues that this story is about. Filmmaking is storytelling, for me.
Experimental novels are sometimes terribly clever and very seldom read. But the story that appeals to the child sitting on your knee is the one that satisfies the curiosity we all have about what happened then, and then, and then. This is the final restriction put on the technique of telling a story. A basic thing called story is built into the human condition. It's what we are; it's something to which we react.
The director of 500 Days of Summer is doing the Spider-Man movie. That's not necessarily the movies I want to make, but it's all about the story, and if you connect to the story, and you feel you can tell that story better than anyone else, then great. Jon Favreau killed Iron Man, I loved it.
I've been very fortunate to be able to jump around. I just did this really wonderful film called Map of the World. That was a real, amazing, dramatic story. Then I did a movie called Company Men, a little comedy about the Bay of Pigs.
I came to America, and I made good. It's an old story, but it hasn't been told in a long time. Usually, it's, 'I'm an immigrant, I came here and got persecuted.' My story is I came here, I worked hard, and it worked out all right. So it's still available.
It's the form it takes when it comes out the other side, of course, that gives a story something unique--its life. The story, in the way it has arrived at what it is on the page, has been something learned, by dint of the story's challenge and the work that rises to meet it--a process as uncharted for the writer as if it had never been attempted before.
There's an indie movie I did called 'Fat Kid Rules the World,' which was based on a teen book, and it's a fabulous story, and hopefully it'll go to theaters because it is an amazing story.
Sometimes I have little movies that I've made that I wish would be seen by a larger audience. I have a horror movie called 'Sensored' which I'm very creepy and disgusting in, and then I have a family drama called 'The Legends of Nethiah' which has a science-fiction B-story.
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