A Quote by Courtney B. Vance
Sometimes there are four or five cameras in front of your face moving all over the place, and you have to try to see the person in between the cameras, and a sane person would go, "I can't do this."
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I've been doing photography in one form or another for, oh golly, over seventy years. I don't carry cameras. I used to. For many years I carried cameras wherever I went. Photograph whatever I saw that was of interest. In the last years, I've only used cameras to explore thematic ideas which presented themselves first. And then bring out the cameras to try to explore that idea.
You are a slow learner, Winston." "How can I help it? How can I help but see what is in front of my eyes? Two and two are four." "Sometimes, Winston. Sometimes they are five. Sometimes they are three. Sometimes they are all of them at once. You must try harder. It is not easy to become sane.
I think there are two different types of people in television. There are people who can turn it on like a switch when the cameras go on, and then, when the cameras go off, they kind of lower it down a little bit. And then there are people who are on all the time, no matter if the cameras are there or not.
Sometimes, they don't even make films with good cameras - they shoot with normal cameras and release the films. If this is going to be the case, the industry will not see quality films.
From analog film cameras to digital cameras to iPhone cameras, it has become progressively easier to take and store photographs. Today, we don't even think twice about snapping a shot.
'Mars Needs Moms' was motion capture, where you walk into a space that's essentially a black box with cameras everywhere. It was so technical. You have these mandibles with cameras on your face and a helmet, and you have to hit certain marks. You couldn't shoot this stuff without the green-screen aspect.
If youve got five cameras, youre making sure that youre in the right position for each one of the cameras.
I have a master's degree in photography as a fine art, and I would call my work primarily conceptual. I don't carry cameras with me wherever I go. I get an idea of a subject matter I want to deal with and I pull out my cameras.
I like making little videos and little records. I've always loved video cameras and four-track cassette recorders, still cameras, anything.
It makes sense to have cameras in places where terrorism and crime are of particular concern - such as in Times Square or near major bridges and tunnels. It would be more troubling to learn, however, that the government has focused cameras on the front doors of our homes just to keep track of our comings and goings.
One thing that is very different technically is that you don't get a lot of coverage in television. Not like you do on a film. I know we don't have time for separate set-ups, so I will design a scene where I'm hiding multiple cameras within that set-up. That way, if I don't have time to do five set-ups, I can do four cameras in one set-up. It's a different kind of approach for that. For the most part, a lot of television, in a visual sense, lacks time for the atmosphere and putting you in a place.
Everybody has their iPhone cameras, BlackBerry cameras, and I see those cameras pointed up at me all the time now, which is actually really good because of what it does for me and my band. There is no time for us not to be on our toes because they're on all the time whenever you're playing. I think it's very healthy.
At the beginning, people laughed at me because I was using snappies. Sometimes, a celebrity would look at my camera and go, Oh, I've got one of those. I'd feel like handing it to them and saying, Well, you take the pictures then. But I like using snapshot cameras because they're idiot-proof. I have bad eyesight, and I'm no good at focusing big cameras.
When I was asked to be a part of 'The Face,' I was like, 'This is exactly what I do without cameras.' I didn't find it any different than what I usually do for young girls - giving runway tips or just explaining how the whole industry works - but now you have, like, 19 cameras on you, documenting you while you scratch your nose.
Putin has this ritual of having the televised meetings with ministers. Cameras will be allowed in to film the first five minutes of a meeting that is conducted entirely for the cameras. We don't even know whether the meeting then goes on.
The rum fiend would like to go and hang up a skeleton in your beautiful house so that, when you opened the front door to go in, you would see it in the hall; and, when you sat at your table you would see it hanging from the wall; and, when you opened your bedroom you would find it stretched upon your pillow; and, waking at night, you would feel its cold hand passing over your face and pinching at your heart. There is no home so beautiful but it may be devastated by the awful curse.
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