A Quote by Craig Blomberg

With every literary genre or form come some conventional expectations that the biblical authors either follow or deviate from. — © Craig Blomberg
With every literary genre or form come some conventional expectations that the biblical authors either follow or deviate from.
My claim is simply that the literary approach is one necessary way to read and interpret the Bible, an approach that has been unjustifiably neglected. Despite that neglect, the literary approach builds at every turn on what biblical scholars have done to recover the original, intended meaning of the biblical text.
In every genre of biblical literature and every stage of biblical history, God is seen pouring out his grace on his people for the sake of his glory among all peoples.
Good writing is good writing. In many ways, it’s the audience and their expectations that define a genre. A reader of literary fiction expects the writing to illuminate the human condition, some aspect of our world and our role in it. A reader of genre fiction likes that, too, as long as it doesn’t get in the way of the story.
Science fiction is the characteristic literary genre of the century. It is the genre that stands in opposition to literary modernism.
Although we deal with probabilities and expectations, the actual results can deviate substantially from such expectations, particularly on a short-term basis.
For me, Christianity is not a genre. It's faith. The Gospel is not a genre either. It's faith. I definitely understand the semantics of naming things to give them some kind of distinction but I think my faith is pretty distinct. If you want to call it hip hop, essentially it is. That's the art form.
If I fulfill YOUR expectations, how am I going to transform you? I have to DESTROY your expectations. I have to destroy the very mind that creates those expectations. If you come to me, never come with expectations, otherwise you will be disappointed - because I have no obligation to fulfill your expectations in any way. In fact, if I see that there are some expectations, I do things DELIBERATELY to destroy those expectations. That is the price you have to pay to be with me.
[Michael] Chabon, who is himself a brash and playful and ebullient genre-bender, writes about how our idea of what constitutes literary fiction is a very narrow idea that, world-historically, evolved over the last sixty or seventy years or so - that until the rise of that kind of third-person-limited, middle-aged-white-guy-experiencing-enlightenment story as in some way the epitome of literary fiction - before that all kinds of crazy things that we would now define as belonging to genre were part of the literary canon.
It is not enough that you can form nay, and follow, the most excellent rules for conducting yourself in the world. You must also know when to deviate from them, and where lies the exception.
When I say my work is travel, that's what I'm doing. And part of being biracial and multicultural is I'm always playing with genre and genre expectations. So even if I say I'm doing straight memoir, you'll see that I'm doing weird stuff with the structure. I've got images, I've got lyrics, and I've got journalism. I really try to not get stuck in genre expectations.
I spent the first twenty years of my writing career preparing for the mystery genre, which is my favorite literary form.
I have a complex feeling about genre. I love it, but I hate it at the same time. I have the urge to make audiences thrill with the excitement of a genre, but I also try to betray and destroy the expectations placed on that genre.
The biggest challenge of my career, which is something that authors of genre fiction face all the time, is writing something fresh and new and at the same time meeting reader expectations.
It's better to emphasize biblical theology, partly because there are fine Study Bibles already available that lean into systematic theology, and partly because biblical theology is particularly strong at helping readers see how the Bible hangs together in its own categories: that is, God in his infinite wisdom chose to give us his Word in the 66 canonical books, with all of their variations in theme, emphasis, vocabulary, literary form, and distinctive contributions across time.
The designer must understand that form does not follow function nor does form follow a production process. For every use and for every production process there are innumerable equally attractive solutions.
The novel is not so much a literary genre, but a literary space, like a sea that is filled by many rivers.
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