A Quote by Craig Brown
Comedy is the slave of time. What seemed funny then is unlikely to seem funny now, just as what strikes us as funny now would not have seemed funny then.
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The problem is that we live in an uptight country. Why don't we just laugh at ourselves? We are funny. Gays are funny. Straights are funny. Women are funny. Men are funny. We are all funny, and we all do funny things. Let's laugh about it.
What I don't like is when I see stuff that I know has had a lot of improv done or is playing around where there's no purpose to the scene other than to just be funny. What you don't want is funny scene, funny scene, funny scene, and now here's the epiphany scene and then the movie's over.
I moved to New York to do theater, and I got cast in a play that was funny, and then I was the funny guy. I did a movie that was funny, and then I was the funny guy.
It's a fun job, but it's stressful because you have to be funny. You have to have punch lines and captions. Be funny now! And if you're not inspired, they don't care - be funny now! They have to fill that hole the next day.
Funny is as funny does, and funny puts on a walrus mask and slowly gyrates in a mall food court. I laugh at absurdity hardest, then stories, then observations, then bearded men on roller skates.
Comedy is just an unspoken language. Everybody understands it. Funny is funny. When it's not funny, they'll let you know.
You know, Lincoln was funny. I don't think F.D.R. was very funny. But Lincoln was funny. Lincoln was really funny. But I think you should get elected first, and then show that you're funny.
I don't do comedy. I think if a situation is funny you just play it for real and if it's funny, it's funny.
I went through in the edits and cut tons of stuff that was "funny" because if it wasn't funny at the time, so it shouldn't be funny now. It's about having that unity of experience. You have to try and take away your hindsight knowledge of a situation.
[In comedy] you never want to leave the actors hanging out to dry. So you need to come up with funny individual stories for each character, and then you do this sort of comedy geometry, weaving them together. Once you've got a funny structure and you know why the scenes are funny, then you get super funny people to say your own lines, say their own lines, say things in their own way, and every scene is a live rewrite in front of the camera.
I don't know if there is a gene for comedy, but my dad was a very funny man. He just didn't know it. He was a naturally funny character, and when my brother and I would laugh at things he said and did, he would say, 'What do you think is so funny?'
Snoop Dogg is hilarious. T.I. is really funny. Who else? 50 Cent is hilarious. Jay-Z is funny. I've met him, but he's funny in interviews. He was funny when I saw him, too. Ludacris is funny. Everybody is. Rappers are funny, a lot of them.
Some lucky people can be funny without half trying because they actually look funny, because acting funny is in their bones - fun as funny, not funny as crude slapstick.
I think if you have a funny thought, and you want to get off a funny point, try to do it as realistically as you can. If you try to act it funny and accent the funny points, or do it in a funny style, you kind of lose it.
One second here and there will make all the difference between something being funny and not being funny. That's why I like going, 'Well, we wrote that six months ago, and it was funny one time we read it, but it's not funny anymore. So what? Just dump it.'
When I was in improv workshops or doing stand-up or writing comedy with others, or just doing comedy, I just laughed. Funny was funny; I loved to laugh. I always liked people I found generally funny.
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