A Quote by Criss Angel
The first time I thought about attempting a body suspension was after watching a documentary on rites-of-passage ceremonies from other cultures. I was completely intrigued by what these people put their bodies through.
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I can't believe it's actually happening. This is independent adulthood, this is what it feels like. Shouldn't there be some sort of ritual? In certain remote African tribes there'd be some incredible four day rites of passage ceremony involving tattooing and potent hallucinogenic drugs extracted from tree-frogs, and village elders smearing my body with monkey blood, but here,rites of passage is all about three new pairs of pants and stuffing your duvet in a bin-liner.
As the magistrate has no power to impose by his laws the use of any rites and ceremonies in any church, so neither has he any power to forbid the use of such rites and ceremonies as are already received, approved, and practised by any church; because if he did so, he would destroy the church itself; the end of whose institution is only to worship God with freedom, after its own manner.
I realize that I put my body through a lot, but I've always thought at the same time if I was a plumber or any kind of worker in that industry, which a lot of people that I grew up with are, I would imagine that their bodies feel the same, their backs are wrecked.
Gangs have always existed - they are primarily a community a young men trying to find intensity, meaning, a path to the outer world (outside of home) that most tribal groupings addressed with rituals, rites of passage, initiation ceremonies. We’ve lost this knowledge as a culture.
Many of the rites of passage, those rituals of growing up found in our society, are in the form of such comic, practical joking affairs--which we ignore in the belief that they possess no deeper significance. Yet it is precisely in their being regarded as unimportant that they take on importance. For in them we ritualize and dramatize attitudes which contradict and often embarrass the sacred values which we proclaim through our solemn ceremonies and rituals of nationhood.
To me rites of passage through life, that's a wonderful, beautiful thing.
I've known about hip-hop for a long time. The first time it intrigued me was when I saw this music video by Tyga on television. I was intrigued by the whole aesthetic. It was very unique.
It's about something that I'm extremely passionate about: exploring other cultures, how Americans are perceived by other cultures and how we perceive other cultures through our worldview. I travel whenever I get an opportunity to do so, and I think this country is ready for a show on television that is bilingual and really puts front and center another culture, both as the protagonist and the antagonist.
If we now plainly perceive that the passage of the blood from the arteries into the veins of the tadpole is not performed in any other than those vessels, which are so minute as only to admit the passage of a single globule at a time, we may conclude that the same is performed in like manner in our own bodies and in those of other animals.
I remember the first time seeing myself on TV, when my family was watching the documentary 'Eyes on the Prize' for the first time. There were pictures of people going up the school stairs, and Mom said, 'Oh, that's you!' I said, 'I can't believe this. This is important.'
Are there other people who, when watching a documentary set in a prison, secretly think, as I have, 'Wish I had all that time to read'?
Pardon me, not to sound elitist, but I wanted to put something together that I would enjoy. I thought at that time, what satiated me, what interested me, what intrigued me, I thought other people would like also. And you blend that with some forward thinking of predicting the UFC and MMA were going to be ultimately as big as it became.
When I talk about subtle bodies, causal bodies and things like that, it is a good idea not to take it all completely literally. It cannot be put into words.
Lena Dunham or Miranda July, those people are sort of thinking about their work in a slightly different way than I do, where their whole body is a seed of what they're creating. I can't imagine watching Miranda's movies with anybody else playing her role, she's so integral. But for me, it feels more like every story is really individual. If I thought of something else, or thought it should be my body representing it, I'd fold my body into it. But most of the time I'm writing to get something out of my body.
If I had stood at the free-throw line and thought about 10 million people watching me on the other side of the camera lens, I couldn't have made anything. So I mentally tried to put myself in a familiar place. I thought about all those times I shot free throws in practice and went through the same motion, the same technique that I had used thousands of times. You forget about the outcome. You know you are doing the right things. So you relax and perform.
Philosophy wasn't about facts, it was about ideas. My first essay title was something like: 'How can you know what other people are thinking?' I thought, 'Wow, what an amazing thing.' I really thought deeply for the first time.
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