A Quote by Criss Angel
I love the press; I even like the people that don't like me. If it wasn't for those people, no one would know who I was and I wouldn't have a gig.
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I love entertaining people, I love playing music, and I love rocking like an animal. But at a certain point, you're playing gig after gig after gig, in town after town after town, and you're lying down, staring at another hotel-room ceiling, and it's like, 'I want to be home. I'm a dad. I've got kids.'
You love tenderly and warmly, but your love is like friendship. That's why you have good friends, you're sociable, sympathetic toward people. Until this dissatisfaction comes over you-you know what I'm talking about. Then you become moody, can even repulse people who are close to you, even people who love you, you know why. Those are bad times when everything goes cold, and they follow the times of great love.
A cantankerous press, an obstinate press, a ubiquitous press must be suffered by those in authority in order to preserve the even greater values of freedom of expression and the right of the people to know.
Some people are really proud of me, and some don't like it. I don't really know what to tell those people. It's like people that don't know me or people that aren't even my friends saying I've changed. I have two friends - exactly two friends. It's like, how can someone that's not even my friend say I've changed?
I honestly don't like Photoshop. I think when people Photoshop things, all of a sudden you're like, 'That's not even me anymore.' It takes away the natural beauty of a person. I think Gisele [Bundchen] had just said something like there's no more rawness, like the little quirks. You know, I have a gap in my teeth and sometimes people take it away. But I'm like, 'I love my teeth.' You know, that's me.
There may be a lot of people out there who don't like me who don't even know me. But there are quite a few people who like me because they know me. I'm not a bad guy by any means. I can't do anything about people hating me for no reason.
I used to watch those syndicated, black-and-white Country Music Television shows from the '60s with my dad. And all of those people that played on our television set, they just felt like family to me. And I believed in my heart, as a little kid, that I would be doing that someday and I would know all those people and we would be friends.
I would say that my fatal flaw, as a human being, is that I need people to like me, and if they don't like me, I will obsess over it - and try to change my personality until they like me - even if they don't like me for reasons that have nothing to do with me, and even if they're strangers.
Filmmaking materials are in the hands of more people now than ever before. I would like to think that the more people have these tools, the more people will learn how to use them, it's another argument I would argue for, personally, for art's education. Because there are kids who aren't that literate in screen language and they've got to know how people select shots, how people edit audio, how people combine things to make what they see on the screen. It would be like the 15th century or the 16th century in Germany, and somebody amends a printing press and you don't know how to read and write.
I know that some of the folks in the press are uptight about this [moving the press corps out of the West Wing ], and I understand. What we're - the only thing that's been discussed is whether or not the initial press conferences are going to be in that small press - and for the people listening to this that don't know this, that the press room that people see on TV is very, very tiny. Forty-nine people fit in that press room.
The security of the Nation is not at the ramparts alone, Security also lies in the value of our free institutions. A cantankerous press, an obstinate press, a ubiquitous press must be suffered by those in authority in order to preserve the even greater values of freedom of expression and the right of the people to know.
I love the tour bunks. I can sleep like a baby in those bunks. It really doesn't bother me at all. A lot of people have a difficult time - they're like, 'It's like a coffin.' I get in there and I just pass out. You can't even wake me up.
I don't feel anything about it. I really like "Staring at the Sun" - I like that song a lot. I haven't heard a lot of their records, but I know that they're cool. I know that the people who listen to them are really awesome and I like those people, so I know that I would like the band, I just don't own their records.
You gig and gig and wonder what your first Edinburgh show will be like, if people will like it, and when they do, it just feels like it validates the last few years of your life, and that you're on the right track.
I don't like people lying to me. I don't like people who don't return my calls. I don't like people who won't give me a straight answer. I don't like those kinds of people, and I've been vocal about it.
I've noticed that a lot of people who criticize me are from the U.K. - both in the press and on social media. Since I've been here, I've gotten a lot of stares on the street, but in the States, people always come up to me and say, 'I love your hair' or 'I love your dress, you're so cute.' Here, people just look at me like I'm a crazy person.
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