A Quote by Criss Jami

One may not always know his purpose until his only option is to monopolize in what he truly excels at. He grows weary of hearing the answer 'no' time and time again, so he turns to and cultivates, monopolizes in his one talent which others cannot possibly subdue. Then, beyond the crowds of criticism and rejection, the right people recognize his talent - among them he finds his stage.
The master in the art of living makes little distinction between his work and his play, his labor and his leisure, his mind and his body, his information and his recreation, his love and his religion. He hardly knows which is which. He simply pursues his vision of excellence at whatever he does, leaving others to decide whether he is working or playing. To him he's always doing both.
Many a man may thank his talent for his rank, but no man has ever been able to return the compliment by thanking his rank for his talent.
Man never ceases to seek knowledge about the objects of his experiences, to understand their meaning for his existence and to react to them according to his understanding. Finally, out of the sum total of the meanings that he has deduced from his contacts with numerous single objects of his environment there grows a unified view of the world into which he finds himself "thrown" (to use an existentialist term again) and this view is of the third order.
Let no one imagine that he will lose anything of human dignity by this voluntary sell-out of his all to his God. He does not by this degrade himself as a man; rather he finds his right place of high honor as one made in the image of his Creator. His deep disgrace lay in his moral derangement, his unnatural usurpation of the place of God. His honor will be proved by restoring again that stolen throne. In exalting God over all, he finds his own highest honor upheld.
The essential facts are known. We know of the weapons in Saddam's possession: chemical, biological, and nuclear in time. We know of his unequaled willingness to use them. We know his history. His invasions of his neighbors. His dreams of achieving hegemonic control over the Arab world. His record of anti-American rage. His willingness to terrorize, to slaughter, to suppress his own people and others. We need not stretch to imagine nightmare scenarios in which Saddam makes common cause with the terrorists who want to kill us Americans and destroy our way of life.
When a lion stalks a herd, he sneaks in close, lies down, and surveys them to choose his victim. He takes his time. The deer or buffalo have no idea he’s near. He finds his prey and then he explodes from his hiding place and grabs it. Even if another, perfectly serviceable animal ends up within his reach, he isn’t going to alter his course. He has chosen, and he would rather go hungry than change his mind.
Giving peace a chance only gives Saddam Hussein more time to prepare for war on his terms, at a time of his choosing, in pursuit of ambitions that will only grow as his power to achieve them grows.
It has always been my belief that the true artist, like the true scientist, is a researcher using materials and techniques to dig into the truth and meaning of the world in which he himself lives; and what he creates, or better perhaps, brings back, are the objective results of his explorations. The measure of his talent--of his genius, if you will--is the richness he finds in such a life's voyage of discovery and the effectiveness with which he is able to embody it through his chosen medium.
No one should pay attention to a man delivering a lecture or a sermon on his "philosophy of life" until we know exactly how he treats his wife, his children, his neighbors, his friends, his subordinates and his enemies.
I loved my friend for his gentleness, his candor, his good repute, his freedom even from my own livelier manner, his calm and reasonable kindness. It was not any particular talent that attracted me to him, or i anything striking whatsoever. I should say in one word, it was his goodness.
If a person finds the negative people in his network, then he needs to mind or mend his own nature than others for his basic grounding decides only the level of acidic or toxic surrounding for him.
The defining character of Steve Jobs isn't his genius, it isn't his talent, it isn't his success. It's his love. That's why crowds came to see him. You could feel that. It sounds ridiculous to talk about love when you are making a gadget. But Steve loved his work, he loved the products he produced, and it was palpable. He communicated that love through bits of steel and plastic.
What I picked up on Michael Jackson - because I study people when I watch them - the way that he counts his rhythm with his feet and his neck at the same time is crazy... so he's hearing multiple things at once. And I don't know anybody who does that.
He who excels in his art so as to carry it to the utmost height of perfection of which it is capable may be said in some measure to go beyond it: his transcendent productions admit of no appellations.
It is only because the world looks on his talent with such a frightening indifference that the artist is compelled to make his talent important.
Here's a strange fact: murder a man, and you feel responsible for his life - ''possessive'', even. You know more about him than his father and mother; they knew his fetus, but you know his corpse. Only you can complete the story of his life, only you know why his body has to be pushed into the fire before its time, and why his toes curl up and fight for another hour on earth.
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