A Quote by Cynthia Voigt

I was eighteen when I wrote my first book, and I can't remember what it was called. I have no idea where the manuscript is - I lost it when I was twenty-one. — © Cynthia Voigt
I was eighteen when I wrote my first book, and I can't remember what it was called. I have no idea where the manuscript is - I lost it when I was twenty-one.
I remember going over proofs of this book - my first book - back in 2001, in a bar in Toronto called the 'Victory Cafe', and thinking sadly to myself, 'This is a very good manuscript but not a very good book.' I don't know what I meant by that, but I was pretty heartbroken and sure it was true.
I remember the first time I went to Italy when I was eighteen, I was in Florence and there were all these eighteen, nineteen, twenty-year-olds gliding past on Vespas with crinkly, long, hair, and I thought I was on the set of a movie. I couldn't believe that this was going on and I hadn't known about it before. I was flabbergasted.
I found a 'lost' manuscript called the Book of Soyga that had once belonged to Queen Elizabeth I's court astrologer, John Dee, in Oxford's Bodleian Library. Everybody thought it was the missing key to Dee's interest in magic. Of course, it wasn't really lost. It was there, in the catalog.
The most painstaking phase comes when the manuscript is set in 'type' for the first time and the first proofs of the book are printed. These initial copies are called first-pass proofs or galleys.
My mother had died when I wrote my first book. I was twenty-seven, so it was right at the beginning of my writing life. I don't know if she had lived, if I would have done it, certainly not quite like I did. But, you can't rethink it. You wrote what you wrote, it meant something to other people, and that's your good.
Wormholes were first introduced to the public over a century ago in a book written by an Oxford mathematician. Perhaps realizing that adults might frown on the idea of multiply connected spaces, he wrote the book under a pseudonym and wrote it for children. His name was Charles Dodgson, his pseudonym was Lewis Carroll, and the book was Through The Looking Glass.
I wanted to write something visual that I could read to the children. This was when I created the idea of Redwall Abbey in my imagination. As I wrote, the idea grew, and the manuscript along with it.
I had already drafted the manuscript that would become my first book by the time I graduated from college, but I had no idea what to do with it.
I remember the first time I ever wrote down a song was when I was 6. I was at my friend Emma's house, and we wrote a song called 'Girls' Rules.'
Just think about it: God wanted to communicate with you in the twenty-first century -and he wrote His message in a book.
There is an energy, a romance in writing the first novel that can never be duplicated again. I was entirely absorbed in that world as I wrote the book [The Kite Runner] and to see the final page of that manuscript whir out of the printer was a very special feeling indeed.
When I wrote the first Betsy book, 'Undead and Unwed,' I had no idea, none, that it would be a career-defining, genre-defining book, the first of over a dozen in the series, the first of over 70 published books, the first on my road to the best-seller list, the first on my road to being published in 15 countries.
When the idea comes, I often can't remember where it came from. I remember very little about writing the first series of Hitchhiker's. It's almost as if someone else wrote it.
God has, in fact, written two books, not just one. Of course, we are all familiar with the first book he wrote, namely Scripture. But he has written a second book called creation.
I basically wrote five books with 'Night Soldiers,' called them novellas, and came in with a 600-page manuscript.
I wrote my first book, I published it in 1955, it was in Yiddish and it was called And The World Was Silent.
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