A Quote by Dag Hammarskjold

You cannot play with the animal in you without becoming wholly animal, play with falsehood without forfeiting your right to truth, play with cruelty without losing your sensitivity of mind. He who wants to keep his garden tidy does not reserve a plot for weeds
He who wants to keep his garden tidy doesn't reserve a plot for weeds.
He was a foe without hate; a friend without treachery; a soldier without cruelty; a victor without oppression, and a victim without murmuring. He was a public officer without vices; a private citizen without wrong; a neighbor without reproach; a Christian without hypocrisy, and a man without guile. He was a Caesar, without his ambition; Frederick, without his tyranny; Napoleon, without his selfishness, and Washington, without his reward.
Man is an animal that cannot long be left in safety without occupation; the growth of his fallow nature is apt to run into weeds.
Plot comes first. The plot is the archictecture of your novel. You wouldn't build a house without a plan. If I wrote without a plot, it would just be a pile of bricks. Characters are your servants. They must serve your plot.
so your father told you once that you were his princess you won't see the castle you cannot find your prince and now you've grown a lot and your dress don't fit right your daddy's not a hero he stole your chariot so here you are in pieces trying to prove to us it's real the softness of your smile and the lies you want to feel the scales beneath your skin are showing off today there's evil in your heart and it wants out to play there's evil in your heart and it wants out to play there's evil in your heart and I have made a home here for me you'll burn it down with your fantasy
Anyone who says that life matters less to an animal than it does to us has not held in his hands an animal fighting for its life. The whole of the being of the animal is thrown into that fight, without reserve. When you say that the fight lacks a dimension of intellectual or imaginative horror, I agree. It is not the mode of being animals to have an intellectual horror: their whole being is in the living flesh...I urge you to walk, flank to flank, beside the beast that is prodded down the chute to his executioner.
No volleyball play can begin without a serve, and the serve is the only technique that is totally under your control. In other endeavors, you cannot succeed without believing in yourself, and that belief is completely under your control.
To play is to listen to the imperative inner force that wants to take form and be acted out without reason. It is the joyful, spontaneous expression of one's self. The inner force materializes the feeling and perception without planning or effort. That is what play is.
You can't play the role of a victim all your life without becoming one in the end.
Man simply cannot live as the time-animal and the art-animal that he is, without history.
I'm amazed people talk about my helmet - saying it makes me feel psychologically better. I would love to play without it, but I'm not allowed to by the doctor. As long as I'm told by the doctor I'm running too much risk to play without it, I'll play with it. There's no other way for me.
There cannot be an animal body without a territorial body: three bodies are grafted over each other: the territorial body - the planet, the social body - the couple, and the animal body - you and me. And technology splits this unity, leaving us without a sense of where we are. This, too, is de-realization.
You can't play having a mental disability. You have to play whatever that person's truth is without any judgement.
Work with good directors. Without them your play is doomed. At the time of my first play, I thought a good director was someone who liked my play. I was rudely awakened from that fantasy when he directed it as if he loathed it. . . . Work with good actors. A good actor hears the way you (and no one else) write. A good actor makes rewrites easy. A good actor tells you things about your play you didn't know.
Truth has no path. Truth is living and, therefore, changing. Awareness is without choice, without demand, without anxiety; in that state of mind, there is perception. To know oneself is to study oneself in action with another person. Awareness has no frontier; it is giving of your whole being, without exclusion.
Whatever he was-that robot in the Garden of Eden, who existed without mind, without values, without labor, without love-he was not man.
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