A Quote by Dakota Goyo

I love watching scary movies because you always wonder what happens next, and that's what's going to happen on 'The Haunting Hour:' you're always going to want to know what happens next.
The best actors just stay in the moment,and whatever happens in the scene is a genuine surprise. You really do not know what's going to happen next. But living that out in life is very dangerous because it throws you into a place where you don't know if you're going to survive.
I always want to be surprised and just see what's going to happen next. But definitely next is going to be busy, too.
That's what I love about documentary filmmaking, we never know where the story is going, we don't know what is going to happen next, and we're inside a culture of people that you have to figure out in many ways. It's a relationship between what you thought might have been the story, and what happens in the 'field.'
I always worked until I had something done and I always stopped when I knew what was going to happen next. That way I could be sure of going on the next day.
You read what you have written and, as you always stop when you know what is going to happen next, you go on from there. You write until you come to a place where you still have your juice and know what will happen next and you stop and try to live through until the next day when you hit it again.
I think that's as far as you have to think, everything happens as a coincidence. It either happens or it doesn't. It's hard to map out a strategic plan by saying, 'If I do that, that's going to get me to the next level.' I think that's the wrong way to go into movies as an actor. It doesn't happen for me that way.
One of my extraordinary regrets about my death is not so much that it's going to happen but simply that I'll never know what happens next.
This book is so interesting. I always wonder what's going to happen next.
If something's going to happen for you, it will, you can't make it happen. And it never does happen until you're past the point where you care whether it happens or not. I guess it's for our own good that it always happens that way, because after you stop wanting things is when having them won't make you go crazy.
We don't know what is going to happen with Brexit, it's not going to be good for the North anyway whatever happens. It's not going to be good for Ireland whatever happens. And the problem is we don't know what is going to happen so we can't really prepare so everything is speculation.
I always know I'm going to lose my job. It's either going to be canceled next week or next year or nine years from now, but I always know my job is going to go.
In the course of my movies, the financing and the releasing were always the tough part. Because I loved the creative, I loved the writing, I loved the making of it. Because I guess, I never had the giant blockbuster, I never got that sort of ease for the next one. So the next one was always, "how am I going to do this?" And that thing was sort of always the thing that made me a little chickenshit to go into the next one. The writing of it was great and the making of it was great, but how am I going to release this thing and am I going to find a studio?
When I see an image in my head that compels me, where there's this mystery about what's going to happen next or could happen next, I'll be intrigued. There are so many scripts that you read, and you know exactly what's going to happen, and there aren't too many where you can't tell within the first 20 pages where it's going.
One thing I always tell players is that there are three bad things: Nothing good happens after midnight, nothing good happens when you're around guns unless you're going hunting, and you don't want to mess around with women that you don't know because a lot of times, bad things happen.
I don't want people to feel: "Why am I watching this? It's sick and sadistic." I want people to watch and think it's scary but they can't wait to see what happens next. I also wanted to make a movie that was watchable.
In real life we don't know what's going to happen next. So how can you be that way on a stage? Being alive to the possibility of not knowing exactly how everything is going to happen next - if you can find places to have that happen onstage, it can resonate with an experience of living.
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