A Quote by Dallas Roberts

I never have been a coder, outside of when I was twelve or something, like on the Atari 1200 XP or whatever I had. — © Dallas Roberts
I never have been a coder, outside of when I was twelve or something, like on the Atari 1200 XP or whatever I had.
I've never really collected anything other than old Atari cartridges. I only had, like, 12 Atari games as a kid, so at some point in my 20s I decided I was going to own all of them.
All throughout Cash Money, I never abandoned the SP 1200. At the end of the day, I still use my SP 1200 'cause I like the way the drums sound.
I cannot,' said Merry. 'I have never seen them. I have never been outside of my own land before. And if I had known what the world outside was like, I don't think I should have had the heart to leave it.
So I was about 19 when I got my first SP-1200, and on that SP-1200, I made 'Bring The Pain' and a few other classic Wu joints.
Much of her life had been lived like a balancing act on a spearpoint fence, and on a particularly difficult night when she was twelve, she had decided that instinct was, in fact, the quiet voice of God. Prayers did receive replies, but you had to listen closely and believe in the answer. At twelve, she wrote in her diary: "God doesn't shout; He whispers, and in the whisper is the way.
A period of about twelve years measured the beat of the pendulum. After the Declaration of Independence, twelve years had been needed to create an efficient Constitution; another twelve years of energy brought a reaction against the government then created; a third period of twelve years was ending in a sweep toward still greater energy; and already a child could calculate the result of a few more such returns.
I'm not Kathy Griffin. I can't do 1200 seat venues. I need 300, 400 something like that.
I was like twelve or something, when you first kiss a guy and you see the way the guy reacts, how they get really excited, or whatever. And I'm perceptive, so I think, "Ah, jeez, is that something that I'm able to do?"
I don’t distinguish between magic and art. When I got into magic, I realised I had been doing it all along, ever since I wrote my first pathetic story or poem when I was twelve or whatever. This has all been my magic, my way of dealing with it.
I had been writing for about twelve years. I knew pretty well how you could find things out, but I had never been trained in an academic way how to go about the research.
When I was twelve or thirteen, if you liked something that was outside of your friend group genre, you had to rationalize and explain it in some way. It's totally irrelevant, I think, now. I don't think anybody cares. Not young people, at least. Maybe journalists.
We were never the cool band to like. They tried to put us into a hair-metal thing, but we weren't really Warrant or Poison. We were always outside the box. I think we had a little niche that nobody had - maybe the funkiness had something to do with it.
As a songwriter, you're never off - for me, anyway. There's a certain mentality of people that decide, "Oh, we're going to try to write songs from this time of the day to this time of the day." Almost treat it like a real job. I can't do that. I've never been able to write songs like that. You never know when something creative is going to hit you, or emotion or whatever. You can take it, and turn it into something that makes somebody feel something. I love that about my job.
I've never been interested enough to have a career trajectory. I've never had any ambition or thought of what I should be doing or had any idea of what I'd like to do. Never. And still don't. And if something comes along, I say 'Fine.'
If I'd had a charisma-ectomy in the beginning, XP would have gone nowhere.
I was blessed. I had a great childhood and great parents that loved music and family. I moved from England when I was almost 18 and been on my own ever since and have been trying to make a living in the music business for the past twelve years. A lot of people say I'm an overnight success, but it's an overnight success that's been twelve years in the making.
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