A Quote by Dan Hawkins
My favorite is still the one that I started off with, which is a Les Paul Standard. I've played that at every gig I've ever had. And that's my starting point in the studio.
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... Jimmy Page bought a Les Paul because he liked mine, but it was stolen, so he bought a Standard everybody raved about .. that's what he's famous for, but his first Les Paul was a Custom like mine ... I can remember he played a Gretsch before that
I still fall back a lot on my Les Paul, and there is just no getting away from a Les Paul and a hot pickup.
I couldn't not play a Les Paul guitar. Les always used to point to my Strat and say, 'Why do you have that piece of crap around your neck?' I'd say, 'Yours are too heavy. I had to drill holes in it.'
When I take my Les Paul onstage, it's reliable. An SG could be different from night to night, but a Les Paul is so solid and reliable that you can trust it every night
I used a fifties Les Paul custom on most of the stuff. I also used a Strat, a newer Strat. I had a million guitars in there but I used the Strat & the Les Paul in just about everything. There were a lot of different amp choices, I was working with a pro tools plug-in which is like an amplifier stimulator. The possibilities with something like that are just endless.
It's fun, but the fun is where it always was. I mean, it's still fun to strap on my Les Paul in the basement and turn up the Marshall amp. I'm still 15. I still enjoy that as much as I ever did.
The first time I go out to Nashville, ever (at this point I had only heard the rumors about what it's like) I had three writing sessions set up. The first two canceled on me. I was kind of pissed off at that point. So I just went back to my hotel room and started writing. And even though I've been to L.A. and experienced a lot of things, at the end of the day I just start to feel like I'm playing acoustically at the first bar I ever played at.
I tried a Les Paul when I was a lot younger. I tried the Les Paul, and because of the weight of the thing, it nearly dislocated my hip.
For the 'Load' album, I was experimenting so much with tone that I had to keep journals on what equipment I was using. For 'Hero of the Day,' I know I used a 1958 Les Paul Standard with a Matchless Chieftain, some Boogie amps and a Vox amp - again, they're all blended.
For the 'Load' album, I was experimenting so much with tone that I had to keep journals on what equipment I was using. For 'Hero of the Day', I know I used a 1958 Les Paul Standard with a Matchless Chieftain, some Boogie amps and a Vox amp - again, they're all blended.
When I first left the Eagles, I said, 'That's it. I'm going to play golf.' After 10 days, it was like... there has to be more to life! I can still swing a golf club, and don't forget, Les Paul played until he literally passed away.
Every single time I step into the studio, I say, 'Can I still do this? Do I still have it? Have I ever had it?' I suppose there's a good amount of self-loathing that goes into any form of artisanship.
People cried nepotism every time I was on the field. But I played for a lot of coaches before I played for my father, and I started for everybody. He wasn't the first person who all the sudden put me in the starting lineup.
All I had was a CD with beats. I wrote to every beat on that CD, and when I got off punishment, I put out my first mixtape. I passed it out all around school. I started going to the studio. I started doing shows.
We played a gig and we had a song that was offensive to people of the Jewish persuasion, and we led off with it, and they were offended by it, and that was that.
A band that we supported called Blackfish in Manchester, played the most insane gig I've ever been to. Everything was set on fire, and then they came on and played one of the coolest gigs I've ever seen.
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