A Quote by Danai Gurira
I write about African women, that's really my topic. I have no shame or qualm in it because it's a very underrepresented topic, which is part of the reason I started to write.
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I have found, for example, that if I have to write upon sum rather difficult topic, the best plan is to think about it with very great intensity-the greatest intensity of which I am capable-for a few hours or days, and at the end of that time give orders, so to speak (to my subconscious mind) that the work is to proceed underground. After some months I return consciously to the topic and find that the work has been done.
The questions of traditional and redefined marriage are highly emotional and a difficult and sensitive topic. Living in the D.C. area and having gay friends and colleagues, I find the topic difficult to discuss and sometimes even difficult write about for fear that I will be judged.
I know that a lot of songwriters write about a break up. It's a really popular topic. I think heartbreak is the number one thing people write about. I could say that's narcissistic somehow because they want everybody to admire how pained they are. But I actually do think there's something beautiful and uplifting about knowing that you're not the only one who is experiencing or has experienced that kind of devastating loss. Everyone's experienced that.
In 1975, which was the height of the women's movement, I thought I'd write a book on women's history. But in searching for a topic, I realized that there were few places in history where men and women interacted. Finally, it hit me: 'Oh, look at the family. That's the one place.'
I think all of the best nonfiction that has ever been made comes from the result of someone who can't stop thinking about a certain topic - a very specific aspect of a certain topic in some cases. And second, they got really good at figuring out what they had to say about it.
I don't know how other people have a topic or have a goal when making a song, like, 'Let's write about this, or let's write about that.' It's kind of difficult for me. Personally, I like vibing out and freestyling.
Unless I'm writing trying to write about a historical figure, I don't really set out to read or research with a specific topic in mind.
One of the things I did when I discovered this huge importance of being vulnerable is very happily moved away from the shame research, because that's such a downer, and people hate that topic. It's not that vulnerability is the upside, but it's better than shame, I guess.
As an editorial cartoonist now, I live for those moments of inspiration, and it is exhilarating to be inspired by a topic, have an opinion on the topic, come up with a good cartoon on the topic, and to draw it and get it in the paper the next day. That is what I live for.
I don't think talking about myself making songs is a very interesting topic, there are so many other more engaging things to think about and write about.
I never want to think or write about the topic again when I'm finished with it.
I spent 11 years at 'The Daily Show,' and I learned everything there about how to write funny, how to write funny on topic.
For instance, one big issue in hip hop is the gay thing. It's 2013, and it's a shame that, to this day, that topic still gets people all excited. It's crazy. And it makes me upset that this topic even matters when it comes to hip hop, because it makes it seem like everybody in hip hop is small-minded or stupid - and that's not the case.
One is sometimes meant to reassure the reader that she's qualified to write about a certain topic.
For me, every book is a journey - questioning a really difficult topic that most people don't want to talk about, much less write about. And that's what I need; that works for me as a writer.
The way that I'm feeling the shift in movie industry is that women are allowed to be part of the development process. So I do feel like things are changing because I'm allowed to option books or write an original screenplay or direct. Those possibilities are really wide open. I think that males still struggle to write for females, which is totally fine because I don't think I could write a really impactful male role because that's not the life that I lived. So we'll just keep shouting and say we need more opportunities for not just women but people that are just different.
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