There are a lot of grey areas in 'The Cry' and the grey is what I'm interested in as an actor.
It's just the environment that we're in right now. There's a lot of people who still don't want to believe that the program we have in place is a good program, and that it's going to work. They're just trying to find a way to shoot holes in it.
There are a lot of grey areas in my personality. We all have them.
What we should be teaching are the problems and holes and I think there are legitimate problems and holes in the theory of evolution. And what we need to do is to present those fairly from a scientific point of view. And we should lay out areas in which the evidence supports evolution and the areas in the evidence that does not.
Aside from birthing me my first grey hairs and keeping me up at night more times than I'd like to count, 'The Subtle Art' taught me a lot about the nature of work. And a lot of that had to do with how my perception of the work itself evolved over the course of writing the book.
At pivotal moments throughout history, there have always been grey areas, and there likely will be in the future. Courage now lies not in the black and white, as in the past, but in the grey.
I'd been told there are 10 difficult holes and eight impossible ones. I'm still trying to work out which the 10 difficult holes are.
The challenge is always to find the good place to end the book. The rule I follow with myself is that every book should end where the next book would logically begin. I know that some readers wish that literally all of the threads would be neatly tied off and snipped, but life just doesn't work that way.
The first rule of holes is when you're in one, stop digging. When you're in three, bring a lot of shovels.
I call 2015 a year of deconstruction. I needed to deconstruct myself, my businesses, and find all of the holes in my empire. I had to find holes and fill them with people who could do it better.
It's very human to try to put things into boxes, and it's hard for us to reconcile with grey areas, and yet somehow that's the area I find the most poetic, the juiciest.
It's very human to try to put things into boxes, and it's hard for us to reconcile with grey areas, and yet somehow, that's the area I find the most poetic, the juiciest.
Paintings are seldom guilty and often framed for crimes they did not commit. Some cover holes-holes in walls, holes in lives. Some make holes-in wallets, holes in hearts...in negative space.
There are no grey areas with commitment, you're either in or you are out; 95 per cent doesn't work. I didn't have that much talent as a kid, but I worked at it, all hours known to man.
I'm also extremely grateful to Mr. Hendrick and my teammates at both Hendrick Motorsports and JR Motorsports for believing in me.
I'm always trying to find myself little holes where I can do some songwriting.